Difference between revisions of "Biblical Parallels Index – Shemot 15/0"
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<h1>Biblical Parallels Index – Shemot 15</h1> | <h1>Biblical Parallels Index – Shemot 15</h1> | ||
<div><b><center><span class="highlighted-notice">This topic has not yet undergone editorial review</span></center></b></div> | <div><b><center><span class="highlighted-notice">This topic has not yet undergone editorial review</span></center></b></div> | ||
| + | <category>Songs in Tanakh | ||
| + | The Song of the Sea (שירת הים) is one of several songs in Tanakh. Others include the song of Ha'azinu, Devorah and Channah's songs, and David's song. Is there a common denominator between the events which led to the singing and composing of each of these songs? | ||
| + | <subcategory>Tools | ||
| + | <ul> | ||
| + | <li>See Makbilot BaMikra for a list and links to several songs in Tanakh.</li> | ||
| + | </ul> | ||
| + | </subcategory> | ||
| + | <subcategory>Articles | ||
| + | <ul> | ||
| + | <li><a href="https://outorah.org/p/37745/">Haazinu: The Five Songs in Tanach</a>, by R. Menachem Leibtag, differentiates between the three Biblical songs that describe ideal situations of redemption and triumph, and two that conclude periods that fall short of expectations.  Specifically, R. Leibtag focuses on the contrast between the "Song of the Sea" which should have ushered in the conquest, but did not, and "Ha'azinu" a song tailored to a generation which did not live up to its ideal.</li> | ||
| + | <li>See <a href="https://etzion.org.il/en/tanakh/torah/sefer-shemot/parashat-beshalach/beshalach-song-sea-0">Beshalach: The Song at the Sea</a>, by R. Michael Hattin, for comparison and contrast of Biblical songs, with a focus on the similarities and differences between "שירת הים" (the Song of the Sea) and "שירת דבורה" (the Song of Deborah).  R. Hattin identifies the unique theme of "שירת הים" as being Hashem’s “saving might,” both in the present and eschatologically.</li> | ||
| + | <li>See <a href="https://www.daat.ac.il/he-il/tanach/iyunim/ktuvim/tehilim/prakim/klnr-ach-hevel.htm">אך חבל כל אדם: עיונים בשירה המקראית</a>, by Dr. Victor Kellner, for analysis of the unique religious goals of Biblical poetry and how these relate to its aesthetic features, with a focus on Tehillim.</li> | ||
| + | <li>See <a href="https://www.hatanakh.com/sites/herzog/files/herzog/%D7%9E%D7%9C%D7%97%D7%9E%D7%94%20%D7%95%D7%A9%D7%99%D7%A8%D7%94.pdf">מלחמה ושירה</a>, by R. Yehuda Shaviv, for analysis and contrast of the elements of Shirat HaYam, Shirat Devorah, and Shirat David, and discussion of why there was no song after the defeat of Amalek.</li> | ||
| + | </ul> | ||
| + | </subcategory> | ||
| + | </category> | ||
| + | |||
| + | </page> | ||
| + | </aht-xml> | ||
Version as of 07:30, 14 November 2023
Biblical Parallels Index – Shemot 15
Songs in Tanakh The Song of the Sea (שירת הים) is one of several songs in Tanakh. Others include the song of Ha'azinu, Devorah and Channah's songs, and David's song. Is there a common denominator between the events which led to the singing and composing of each of these songs?
Tools
- See Makbilot BaMikra for a list and links to several songs in Tanakh.
Articles
- Haazinu: The Five Songs in Tanach, by R. Menachem Leibtag, differentiates between the three Biblical songs that describe ideal situations of redemption and triumph, and two that conclude periods that fall short of expectations. Specifically, R. Leibtag focuses on the contrast between the "Song of the Sea" which should have ushered in the conquest, but did not, and "Ha'azinu" a song tailored to a generation which did not live up to its ideal.
- See Beshalach: The Song at the Sea, by R. Michael Hattin, for comparison and contrast of Biblical songs, with a focus on the similarities and differences between "שירת הים" (the Song of the Sea) and "שירת דבורה" (the Song of Deborah). R. Hattin identifies the unique theme of "שירת הים" as being Hashem’s “saving might,” both in the present and eschatologically.
- See אך חבל כל אדם: עיונים בשירה המקראית, by Dr. Victor Kellner, for analysis of the unique religious goals of Biblical poetry and how these relate to its aesthetic features, with a focus on Tehillim.
- See מלחמה ושירה, by R. Yehuda Shaviv, for analysis and contrast of the elements of Shirat HaYam, Shirat Devorah, and Shirat David, and discussion of why there was no song after the defeat of Amalek.
