Difference between revisions of "Channah's Prayer/2"

From AlHaTorah.org
Jump to navigation Jump to search
m
m
Line 11: Line 11:
 
<p>Channah's prayer is a song of praise to Hashem for granting her request for a child.&#160; It revolves around her previous travails as a barren woman and her present happiness in the birth of her son.</p>
 
<p>Channah's prayer is a song of praise to Hashem for granting her request for a child.&#160; It revolves around her previous travails as a barren woman and her present happiness in the birth of her son.</p>
 
<mekorot><multilink><a href="RashiShemuelI2-1-10" data-aht="source">Rashi</a><a href="RashiShemuelI2-1-10" data-aht="source">Shemuel I 2:1-10</a><a href="R. Shelomo Yitzchaki (Rashi)" data-aht="parshan">About R. Shelomo Yitzchaki</a></multilink>, <multilink><a href="RYosefKaraShemuelI2-1-10" data-aht="source">R. Yosef Kara</a><a href="RYosefKaraShemuelI2-1-10" data-aht="source">Shemuel I 2:1-10</a><a href="R. Yosef Kara" data-aht="parshan">About R. Yosef Kara</a></multilink>, <multilink><a href="RadakShemuelI2-1-10" data-aht="source">Radak</a><a href="RadakShemuelI2-1-10" data-aht="source">Shemuel I 2:1-10</a><a href="R. David Kimchi (Radak)" data-aht="parshan">About R. David Kimchi</a></multilink>, <multilink><a href="AbarbanelShemuelI2-1-10" data-aht="source">Abarbanel</a><a href="AbarbanelShemuelI2-1-10" data-aht="source">Shemuel I 2:1-10</a><a href="R. Yitzchak Abarbanel" data-aht="parshan">About R. Yitzchak Abarbanel</a></multilink>, <multilink><a href="HoilMosheShemuelI2-10" data-aht="source">Hoil Moshe</a><a href="HoilMosheShemuelI2-10" data-aht="source">Shemuel I 2:10</a><a href="R. Moshe Yitzchak Ashkenazi (Hoil Moshe)" data-aht="parshan">About R. Moshe Yitzchak Ashkenazi</a></multilink></mekorot>
 
<mekorot><multilink><a href="RashiShemuelI2-1-10" data-aht="source">Rashi</a><a href="RashiShemuelI2-1-10" data-aht="source">Shemuel I 2:1-10</a><a href="R. Shelomo Yitzchaki (Rashi)" data-aht="parshan">About R. Shelomo Yitzchaki</a></multilink>, <multilink><a href="RYosefKaraShemuelI2-1-10" data-aht="source">R. Yosef Kara</a><a href="RYosefKaraShemuelI2-1-10" data-aht="source">Shemuel I 2:1-10</a><a href="R. Yosef Kara" data-aht="parshan">About R. Yosef Kara</a></multilink>, <multilink><a href="RadakShemuelI2-1-10" data-aht="source">Radak</a><a href="RadakShemuelI2-1-10" data-aht="source">Shemuel I 2:1-10</a><a href="R. David Kimchi (Radak)" data-aht="parshan">About R. David Kimchi</a></multilink>, <multilink><a href="AbarbanelShemuelI2-1-10" data-aht="source">Abarbanel</a><a href="AbarbanelShemuelI2-1-10" data-aht="source">Shemuel I 2:1-10</a><a href="R. Yitzchak Abarbanel" data-aht="parshan">About R. Yitzchak Abarbanel</a></multilink>, <multilink><a href="HoilMosheShemuelI2-10" data-aht="source">Hoil Moshe</a><a href="HoilMosheShemuelI2-10" data-aht="source">Shemuel I 2:10</a><a href="R. Moshe Yitzchak Ashkenazi (Hoil Moshe)" data-aht="parshan">About R. Moshe Yitzchak Ashkenazi</a></multilink></mekorot>
 +
<point><b>"וַתִּתְפַּלֵּל חַנָּה"</b> – Abarbanel points to the language of "prayer" as support that Channah's words were not a prophecy but a personal song of thanksgiving.</point>
 +
<point><b>Exalting in God</b> – The opening lines of praise to Hashem are understood simply as thanksgiving to Hashem for raising Channah up from despondency. Whereas in her barrenness she had been sad and lowly, now her heart is filled with joy and she can raise her head</point>
 +
<point><b>"רָחַב פִּי עַל אוֹיְבַי "</b> – According to these sources, the enemy mentioned refers to Penina (and others like her), who had upset Channah yearly regarding her barren state. Abarbanel explains the choice of language "and my mouth has widened" as a contrast to Channah's quiet ways when she was distressed.&#160; He points out that those who are full of sorrow tend to speak quietly, without their voices being heard.&#160; Thus, too, Channah had previously prayed in silence (שְׂפָתֶיהָ נָּעוֹת וְקוֹלָהּ לֹא יִשָּׁמֵעַ).&#160; Now, though, she opened her mouth wide to rejoice in Hashem's .</point>
 +
<point><b>"וְאֵין צוּר כֵּאלֹהֵינוּ"</b> – Rashi and R. Yosef Kara takes this verse out of its simple meaning and read "צוּר" as "צייר".&#160; Channah is saying that there is no artist like Hashem who can form a living soul.</point>
 
</category>
 
</category>
 
<category>Historical Prophecy
 
<category>Historical Prophecy
Line 26: Line 30:
 
<p>Channah's prayer relates not to her personal life but to the fate of the nation.&#160; It focuses on the themes of dominion and kingship as a segue into her request that Hashem appoint an appropriate leader for the nation.</p>
 
<p>Channah's prayer relates not to her personal life but to the fate of the nation.&#160; It focuses on the themes of dominion and kingship as a segue into her request that Hashem appoint an appropriate leader for the nation.</p>
 
<mekorot>R. Silber</mekorot>
 
<mekorot>R. Silber</mekorot>
 +
</category>
 +
<category>Pre-existing Song
 +
<p>Channah's prayer was not her own composition.&#160; Rather, she utilized a song that was prevalent in her day&#160; since it had a passing reference to her specific situation.</p>
 
</category>
 
</category>
 
</approaches>
 
</approaches>
 
</page>
 
</page>
 
</aht-xml>
 
</aht-xml>

Version as of 03:31, 23 September 2016

Channah's Prayer

Exegetical Approaches

This topic has not yet undergone editorial review

Personal Praise

Channah's prayer is a song of praise to Hashem for granting her request for a child.  It revolves around her previous travails as a barren woman and her present happiness in the birth of her son.

"וַתִּתְפַּלֵּל חַנָּה" – Abarbanel points to the language of "prayer" as support that Channah's words were not a prophecy but a personal song of thanksgiving.
Exalting in God – The opening lines of praise to Hashem are understood simply as thanksgiving to Hashem for raising Channah up from despondency. Whereas in her barrenness she had been sad and lowly, now her heart is filled with joy and she can raise her head
"רָחַב פִּי עַל אוֹיְבַי " – According to these sources, the enemy mentioned refers to Penina (and others like her), who had upset Channah yearly regarding her barren state. Abarbanel explains the choice of language "and my mouth has widened" as a contrast to Channah's quiet ways when she was distressed.  He points out that those who are full of sorrow tend to speak quietly, without their voices being heard.  Thus, too, Channah had previously prayed in silence (שְׂפָתֶיהָ נָּעוֹת וְקוֹלָהּ לֹא יִשָּׁמֵעַ).  Now, though, she opened her mouth wide to rejoice in Hashem's .
"וְאֵין צוּר כֵּאלֹהֵינוּ" – Rashi and R. Yosef Kara takes this verse out of its simple meaning and read "צוּר" as "צייר".  Channah is saying that there is no artist like Hashem who can form a living soul.

Historical Prophecy

Channah's song contains prophetic material relating to the nation as a whole.  This approach subdivides regarding the time period to which the song refers:

Distant Future

The prayer relates to events throughout the nation's history from the defeat of the Philistines by the hand of Shemuel until the time of Mashiach.

Sources:Targum Yonatan

Close Future

The entire song focuses on the time period of Shemuel, weaving present events with future actions to be done by the prophet.

National Request

Channah's prayer relates not to her personal life but to the fate of the nation.  It focuses on the themes of dominion and kingship as a segue into her request that Hashem appoint an appropriate leader for the nation.

Sources:R. Silber

Pre-existing Song

Channah's prayer was not her own composition.  Rather, she utilized a song that was prevalent in her day  since it had a passing reference to her specific situation.