Difference between revisions of "Chronological and Thematic Order/2"
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<point><b>David's Offensive Wars (Shemuel II 8)</b> – Shemuel II 8 lists David's various offensive wars against external enemies.  It is likely that not all the battles were consecutive and that some might have occurred at other points in David's reign. [For example the battle against Aram Tzova described in <a href="ShemuelII8-3-5" data-aht="source">Shemuel II 8:3-5</a> might be identical to that mentioned in <a href="ShemuelII10-6-19" data-aht="source">Shemuel II 10:6-19</a>]. Tanakh nonetheless groups them together for thematic unity.</point> | <point><b>David's Offensive Wars (Shemuel II 8)</b> – Shemuel II 8 lists David's various offensive wars against external enemies.  It is likely that not all the battles were consecutive and that some might have occurred at other points in David's reign. [For example the battle against Aram Tzova described in <a href="ShemuelII8-3-5" data-aht="source">Shemuel II 8:3-5</a> might be identical to that mentioned in <a href="ShemuelII10-6-19" data-aht="source">Shemuel II 10:6-19</a>]. Tanakh nonetheless groups them together for thematic unity.</point> | ||
<point><b>Shelomo's internal enemies</b> – Melakhim I 3 describes how Shelomo took care of his internal enemies, Yoav, Shimi and Evyatar.  Though it is likely that some of these events overlapped with other events described later,<fn>The story of Shimi, for instance, takes place over more than three years, and likely overlapped with Shelomo's setting up of his administration described in chapters 4-5.</fn> they are all mentioned together in one unit as they share a common theme, the securing of Shelomo's reign.</point> | <point><b>Shelomo's internal enemies</b> – Melakhim I 3 describes how Shelomo took care of his internal enemies, Yoav, Shimi and Evyatar.  Though it is likely that some of these events overlapped with other events described later,<fn>The story of Shimi, for instance, takes place over more than three years, and likely overlapped with Shelomo's setting up of his administration described in chapters 4-5.</fn> they are all mentioned together in one unit as they share a common theme, the securing of Shelomo's reign.</point> | ||
− | <point><b>Miracles of the Wilderness</b> – R"Y Bekhor Shor uniquely suggests that the story of Masa U'Merivah in Shemot 17 is identical to the story of Mei Merivah in Bemidbar 20.  Even though it is elaborated upon in its chronological place when discussing the events of the fortieth year, it is also mentioned much earlier in the context of the | + | <point><b>Miracles of the Wilderness</b> – R"Y Bekhor Shor uniquely suggests that the story of Masa U'Merivah in Shemot 17 is identical to the story of Mei Merivah in Bemidbar 20.  Even though it is elaborated upon in its chronological place when discussing the events of the fortieth year, it is also mentioned much earlier in the context of the miracles of the Wilderness period.  As Torah wanted to group the various examples of miraculous sustenance together, it included it as well, despite the achronology involved.</point> |
<point><b>Covenant of the Pieces</b> – Seder Olam Rabbah, Rashi, and Rashbam all assume that the Covenant of Pieces described in Bereshit 15:7-20 occurred when Avraham was 70 and took place before the events of Bereshit 12, when Avraham was 75.<fn>The motivation for this dating is the discrepancy between the accounts of the length of the Egyptian exile in Bereshit 15:13 (400 years) and Shemot 12:40-41 (430 years). This position maintains that the 400 years started from the birth of Yitzchak, while the 430 count began thirty years earlier, at the Covenant of the Pieces. Since Avraham was 100 when Yitzchak was born, the Covenant must have occurred when he was 70.</fn>  Rashbam suggests that the story is written out of order in order to juxtapose the promise of land with the promise of progeny mentioned in the first part of Chapter 15. As the two promises are integrally related (as evidenced by Hashem's words at the end of the chapter, "בַּיּוֹם הַהוּא כָּרַת י״י אֶת אַבְרָם בְּרִית לֵאמֹר <b>לְזַרְעֲךָ</b> נָתַתִּי אֶת <b>הָאָרֶץ</b> הַזֹּאת"), they are juxtaposed.</point> | <point><b>Covenant of the Pieces</b> – Seder Olam Rabbah, Rashi, and Rashbam all assume that the Covenant of Pieces described in Bereshit 15:7-20 occurred when Avraham was 70 and took place before the events of Bereshit 12, when Avraham was 75.<fn>The motivation for this dating is the discrepancy between the accounts of the length of the Egyptian exile in Bereshit 15:13 (400 years) and Shemot 12:40-41 (430 years). This position maintains that the 400 years started from the birth of Yitzchak, while the 430 count began thirty years earlier, at the Covenant of the Pieces. Since Avraham was 100 when Yitzchak was born, the Covenant must have occurred when he was 70.</fn>  Rashbam suggests that the story is written out of order in order to juxtapose the promise of land with the promise of progeny mentioned in the first part of Chapter 15. As the two promises are integrally related (as evidenced by Hashem's words at the end of the chapter, "בַּיּוֹם הַהוּא כָּרַת י״י אֶת אַבְרָם בְּרִית לֵאמֹר <b>לְזַרְעֲךָ</b> נָתַתִּי אֶת <b>הָאָרֶץ</b> הַזֹּאת"), they are juxtaposed.</point> | ||
</subopinion> | </subopinion> |
Version as of 04:07, 25 November 2019
Chronological and Thematic Order
Exegetical Approaches
Technical Displacement: Minor Details
At times, achronology in the text is a result of technical literary issues. In many cases, the majority and core of a given story is recorded in its proper chronological place and it is just one or two secondary components which are displaced. The displaced unit might be moved from elsewhere to join and thereby complete the central story ("להשלים את הענין") or it might be separated from the main narrative so as not to interrupt the story line ("לא להפסיק את הענין").
Preludes and Epilogues: "להשלים את הענין"
A subordinate component of a story might be moved from its proper chronological place so as to complete a central narrative. This might take the form of a prelude or heading before the main story or an epilogue or summation at the end.
Prelude
An event which occurred earlier is displaced to serve as an introduction and provide necessary background to a later story.
Epilogue
A component of a story which is only to occur later is moved earlier to provide closure to the main unit.
Headings
An event which is soon to be discussed in the text is mentioned already in the heading of the unit, not because it takes place then, but to let the reader know what is to come. This phenomenon might appear as a"כלל ופרט", a general formulation followed by details.
Summaries
An episode which occurred and was explicitly mentioned earlier in Tanakh is repeated in order to serve as a summary to a unit.
Prologues and Appendices: "לא להפסיק את הענין"
Secondary narrative components might be moved to form a prologue at the very beginning of a unit or an appendix at the end because setting them in their proper chronological place in the middle of the central unit would otherwise break the flow of the main narrative . The episode or topic which is displaced is either irrelevant to the main theme or message of the unit, of lesser import, or of a different literary character.
Prologues
An event is moved from its correct chronological place later in the text and placed at the very beginning of the unit where it will not disrupt the main topic.
Appendices
An episode is moved from its correct chronological place earlier in the narrative and placed at the very end of the unit where it will not disrupt the main topic.
Thematic Arrangement: Parallel Units
Tanakh will often prefer thematic ordering over strict chronology, juxtaposing related material even if this means not adhering to a historical timeline.
Overlapping Stories
A preference for thematic ordering is often evident when components of two independent stories overlap in time. Tanakh will focus on each story individually rather than constantly switching back and forth between the two. As such, the same overall time period might be discussed from different vantage points in the textual equivalent of a split screen, with material grouped by varying protagonists, perspectives, literary genre or other factors.
Figures
Tanakh will often focus on one individual protagonist at a time, even if this means compromising on chronological order.
Personal vs. Political Perspective
When a protagonist's interactions on the political or national level overlap with what is going on in his personal life, Tanakh will often separate the two strands of the story rather than constantly switching back and forth to maintain chronological order.
Individual vs. Universal
When an incident has both a universal and individual aspect to it, Tanakh will focus on one at a time.
Literary Genre
Torah often separates material of different genres. Thus, even if a unit of laws was relayed over a period of time and other events occurred simultaneously, Torah might group the legal and narrative material separately. Similarly, when a book contains both prophecies and history, each might be grouped alone even if this creates achronology.
Speech vs. Action
When an action occurs in the middle of a conversation, or an extended conversation occurs in the midst of a list of several actions, Tanakh might distinguish between the two.
Non-overlapping Stories
Even when two stories do not overlap in time, Tanakh might prefer thematic unity over a strict chronological recounting.
Related Topics
At times, closely related events, even if they took place at different times, might be grouped together. This is especially true when the events are presented as a list.
"לדורות" / "לשעה"
Tanakh might group laws which are relevant only for a specific time period (לשעה) separately from those which are relevant for all future generations (לדורות).
Two Authors
If a book has multiple authors, each author's material might be grouped separately even if this means that some content is relayed achronologically.
Simultaneous Actions
When a unit contains but one element, the entire unit might not just overlap with but actually occur totally simultaneously with another event. In such cases, Tanakh does not have a choice but to tell one event before the other, even though this does not represent the reality.