Difference between revisions of "Chronological and Thematic Order/2"
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<subopinion>Appendices | <subopinion>Appendices | ||
<p>An episode is moved from its correct chronological place earlier in the narrative and placed at the very end of the unit where it will not disrupt the main topic.</p> | <p>An episode is moved from its correct chronological place earlier in the narrative and placed at the very end of the unit where it will not disrupt the main topic.</p> | ||
− | <point><b>Marriage to Keturah (Bereshit 25:1-6)</b> – According to <multilink><a href="ShadalBereshit11-32" data-aht="source">Shadal</a><a href="ShadalBereshit11-32" data-aht="source">Bereshit 11:32</a><a href="ShadalShemot18-1" data-aht="source">Shemot 18:1</a><a href="ShadalBemidbar8-7" data-aht="source">Bemidbar 8:7</a><a href="ShadalBemidbar20-1" data-aht="source">Bemidbar 20:1</a><a href="R. Shemuel David Luzzatto (Shadal)" data-aht="parshan">About R. Shemuel David Luzzatto</a></multilink>, Avraham's marriage to Keturah occurred before Sarah's death and not where it is found. Since the story is tangential to the main narrative which focuses on the formation of the Nation of | + | <point><b>Marriage to Keturah (Bereshit 25:1-6)</b> – According to <multilink><a href="ShadalBereshit11-32" data-aht="source">Shadal</a><a href="ShadalBereshit11-32" data-aht="source">Bereshit 11:32</a><a href="ShadalShemot18-1" data-aht="source">Shemot 18:1</a><a href="ShadalBemidbar8-7" data-aht="source">Bemidbar 8:7</a><a href="ShadalBemidbar20-1" data-aht="source">Bemidbar 20:1</a><a href="R. Shemuel David Luzzatto (Shadal)" data-aht="parshan">About R. Shemuel David Luzzatto</a></multilink>, Avraham's marriage to Keturah occurred before Sarah's death and not where it is found. Since the story is tangential to the main narrative which focuses on the formation of the Nation of Israel, it is put as an appendix to the Avraham stories rather than in its proper chronological place. [For elaboration and dissenting opinions, see <a href="Avraham's Many Wives" data-aht="page">Avraham's Many Wives</a>]</point> |
− | <point><b> | + | <point><b>Genealogy lists (Bereshit 25, 36)</b> – The genealogies of Yishmael and Esav are listed as appendices to the Avraham and Yitzchak stories respectively.<fn>Alternatively, one may view them as prologues to the stories of Yitzchak and Yaakov's descendants.  Before moving to speak at length about the chosen line, the main focus of the text, the Torah quickly reviews what happened to the rejected line.</fn>  Even though some of their descendants were likely born during the lives of their grandparents,<fn>There are descendants (such as the kings which emerged from Esav) mentioned that were only born much later as well.  These are included to complete the list.</fn> the list is mentioned only at the end of the entire cycle of stories so as not to interrupt the main narrative which focuses on the chosen rather than rejected lines.</point> |
+ | <point><b>Moshe's Blessings (Devarim 33)</b> – <multilink><a href="IbnEzraDevarim31-1" data-aht="source">Ibn Ezra</a><a href="IbnEzraDevarim31-1" data-aht="source">Devarim 31:1</a><a href="R. Avraham ibn Ezra" data-aht="parshan">About R. Avraham ibn Ezra</a></multilink> suggests that Moshe's final blessings to the nation were given over beforehand, in Devarim 31, when he went to encourage the nation and Yehoshua. Due to the unique poetic character of the speech which would be intrusive in place, they are pushed to the end of the book.</point> | ||
+ | <point><b>End of Sefer Shofetim</b> – Several commentators assume that the stories of "the idol of Michah" and the "concubine of Givah" discussed in Shofetim 17-21 occurred much earlier in Sefer Shofetim. However, as they deviate from the cycle of sin, oppression, return, and salvation that marks the rest of the book, they are set apart and recorded only at the end</point> | ||
+ | <point><b>End of Sefer Shemuel</b> – The composition of David's song of Shemuel I 22 and the feats of David's warriors listed in Shemuel II 23 likely occurred at various points earlier in David's career,<fn>The song is said to have been composed as praise for David's salvation from Shaul</fn> but are grouped as appendices at the end of the book. Here, too, this might be due to the unique nature of the material (poetry) and different focus (David's men rather than David) which set them apart from the narrative of the rest of the book.</point> | ||
</subopinion> | </subopinion> | ||
</opinion> | </opinion> |
Version as of 07:22, 18 November 2019
Chronological and Thematic Order
Exegetical Approaches
Technical Displacement of Secondary Points
At times, achronology in the text is a result of technical literary issues. In many cases, the majority and core of a given story is recorded in its proper chronological place and it is just one or two secondary components which are displaced. The displaced unit might be moved from elsewhere to join and thereby complete the central story ("להשלים את הענין") or it might be separated from the main narrative so as not to interrupt the story line ("לא להפסיק את הענין").
Introductions and Epilogues: "להשלים את הענין"
A subordinate component of a story might be moved from its proper chronological place so as to complete the central narrative. It can take the form of a prelude before the main story or an epilogue at the end.
Introduction
An event which occurred earlier is displaced to serve as an introduction and provide necessary background to a later story.
Epilogue
A component of a story which is only to occur later is moved earlier to provide closure to the main unit.
posits that this was first commanded in the fortieth year (by which point it was known that Yehoshua alone was to head the conquest and the "book," the Sefer Torah, was extant).7 In order to finish the story, however, the command is recorded here.
Summary
An episode which occurred and was explicitly mentioned earlier in Tanakh is repeated in order to serve as a summary to a unit.
Headings
An event which is soon to be discussed in the text is mentioned already in the heading of the unit, letting the reader know what is to come. This might take the form of a "כלל ופרט", a general formulation followed by details.
Prologues and Appendices: "לא להפסיק את הענין"
Secondary narrative components might be moved to form a prologue at the very beginning of a unit or an appendix at the end because placing them in their proper chronological place in the middle of the central unit would otherwise break the flow of the main narrative . The episode or topic which is displaced is either irrelevant to the main theme or message of the unit, of lesser import, or of a different literary character.
Prologues
An event is moved from its correct chronological place later in the text and placed at the very beginning of the unit where it will not disrupt the main topic.
Appendices
An episode is moved from its correct chronological place earlier in the narrative and placed at the very end of the unit where it will not disrupt the main topic.
Miscellaneous
Resumptive Repetition
Thematic Concerns
Tanakh will often prefer thematic ordering over strict chronology, juxtaposing related material even if this means not adhering to a historical timeline. When components of two independent stories overlap in time, it will tend to focus on each individually rather than constantly switching back and forth between the two. Material might be grouped according to protagonists, perspective, literary genres or other factors: