Difference between revisions of "Chronological and Thematic Order/2"
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</category> | </category> | ||
<category>Simultaneous Stories | <category>Simultaneous Stories | ||
− | <p>When a unit contains but one element, | + | <p>When a unit contains but one element, this might occur simultaneously with another action or event.  In such cases, Tanakh does not have a choice but to tell one event before the other, even though this does not represent the reality.</p> |
<point><b>Giving of jewellery</b></point> | <point><b>Giving of jewellery</b></point> | ||
<point><b>Moshe and Tzipporah</b> – According to R. Saadia, Shemot 4:20 serves as a dual introduction to the following verses, telling the reader where each of Zipporah and Moshe were headed. Moshe put Zipporah and family on the donkey to head back to Midyan, while he then, alone, returned to Egypt. The text then continues as a split screen, first recounting the prophecy received by Moshe as he embarked on his mission, and then relating the simultaneous incident which occurred to Zipporah at the lodge.  See <a href="Mystery at" data-aht="page">Mystery at the Malon</a> for elaboration.</point> | <point><b>Moshe and Tzipporah</b> – According to R. Saadia, Shemot 4:20 serves as a dual introduction to the following verses, telling the reader where each of Zipporah and Moshe were headed. Moshe put Zipporah and family on the donkey to head back to Midyan, while he then, alone, returned to Egypt. The text then continues as a split screen, first recounting the prophecy received by Moshe as he embarked on his mission, and then relating the simultaneous incident which occurred to Zipporah at the lodge.  See <a href="Mystery at" data-aht="page">Mystery at the Malon</a> for elaboration.</point> | ||
+ | <point><b>Michah</b></point> | ||
</category> | </category> | ||
<category>Homiletical  | <category>Homiletical  |
Version as of 05:39, 22 November 2019
Chronological and Thematic Order
Exegetical Approaches
Technical Displacement: Minor Details
At times, achronology in the text is a result of technical literary issues. In many cases, the majority and core of a given story is recorded in its proper chronological place and it is just one or two secondary components which are displaced. The displaced unit might be moved from elsewhere to join and thereby complete the central story ("להשלים את הענין") or it might be separated from the main narrative so as not to interrupt the story line ("לא להפסיק את הענין").
Preludes and Epilogues: "להשלים את הענין"
A subordinate component of a story might be moved from its proper chronological place so as to complete a central narrative. It can take the form of a prelude or heading before the main story or an epilogue or summation at the end.
Prelude
An event which occurred earlier is displaced to serve as an introduction and provide necessary background to a later story.
Epilogue
A component of a story which is only to occur later is moved earlier to provide closure to the main unit.
Headings
An event which is soon to be discussed in the text is mentioned already in the heading of the unit, not because it takes place then, but to let the reader know what is to come. This often take the form of a "כלל ופרט", a general formulation followed by details.
Summaries
An episode which occurred and was explicitly mentioned earlier in Tanakh is repeated in order to serve as a summary to a unit.
Prologues and Appendices: "לא להפסיק את הענין"
Secondary narrative components might be moved to form a prologue at the very beginning of a unit or an appendix at the end because setting them in their proper chronological place in the middle of the central unit would otherwise break the flow of the main narrative . The episode or topic which is displaced is either irrelevant to the main theme or message of the unit, of lesser import, or of a different literary character.
Prologues
An event is moved from its correct chronological place later in the text and placed at the very beginning of the unit where it will not disrupt the main topic.
Appendices
An episode is moved from its correct chronological place earlier in the narrative and placed at the very end of the unit where it will not disrupt the main topic.
Thematic Arrangement: Parallel Units
Tanakh will often prefer thematic ordering over strict chronology, juxtaposing related material even if this means not adhering to a historical timeline. This is perhaps most evident when components of two independent stories overlap in time. Tanakh will focus on each story individually rather than constantly switching back and forth between the two. As such, the same overall time period might be discussed from different vantage points, with material grouped by varying protagonists, perspectives, literary genre or other factors.
Figures
Tanakh will often focus on one individual protagonist at a time, even if this means compromising on chronological order.
Personal vs. National Perspective
When a hero's interactions on the political / national level overlap with what is going on in his personal life, Tanakh will often separate the two strands of the story rather constantly switching back and forth to maintain chronological order. Thus, the same time period is told from two different perspectives in the textual equivalent of a split screen.
Individual vs. Universal
When an incident has both a universal and individual aspect to it, Tanakh will focus on one at a time.
Law vs. Narrative
Torah tends to separate its discussion of legal and narrative material. Thus, even if a unit of laws was relayed over a period of time and other events occurred simultaneously, Torah will distinguish between the two.
"לדורות" vs. "לשעה"
Two Authors
Speech vs. Action
When an action occurs in the middle of a conversation, or an extended conversation occurs in the midst of a list of several actions, Tanakh might distinguish between the two.
Topic
At times, closely related events, even if they did not take place consecutively, might be grouped together. This is especially true when the events are presented as a list.
Simultaneous Stories
When a unit contains but one element, this might occur simultaneously with another action or event. In such cases, Tanakh does not have a choice but to tell one event before the other, even though this does not represent the reality.