Chronological and Thematic Order/2
Chronological and Thematic Order
Exegetical Approaches
Overview
Though the Biblical text sets chronological order as the norm, in several instances it nonetheless veers from the true order of events. Often, the displacement is somewhat technical and it is only a secondary component of a story which is out of chronological order. A minor detail might be moved from its proper chronological place elsewhere to complete the central narrative (להשלים את הענין), serving either as an introduction in the beginning of a unit or as an epilogue at the end. In other instances, an otherwise intrusive piece of a story is moved away from the core unit to serve either as a prologue or an appendix where it won't interrupt the main storyline (לא להפסיק את הענין).
In a second category of cases, chronology is sacrificed for thematic unity. This is especially evident when Tanakh recounts two stories which overlap in time. Rather than interweaving the two stories, Tanakh will focus on each individually, speaking of the same overall time period from different vantage points. It might distinguish between protagonists, a figure's personal and political role, or differing literary genres. Even when two units do not overlap in time, Tanakh might prefer to arrange certain units thematically, grouping together similar events, related laws or the like.
A third goal of achronology might be to impart homiletical messages. By juxtaposing material which would otherwise not be linked, lessons regarding proper behavior, Biblical characters, or Hashem's ways can be learned.
Thematic Arrangement: Parallel Units
Tanakh will often prefer thematic ordering over strict chronology, juxtaposing related material even if this means not adhering to a historical timeline. In these instances, both the displaced and chronological components of a unit tend to be of equal import.
Overlapping Stories
A preference for thematic ordering is often evident when components of two independent stories overlap in time. Tanakh will focus on each story individually, recounting them in parallel units, rather than constantly switching back and forth between the two. As such, the same overall time period might be discussed from different vantage points in the textual equivalent of a split screen, with material grouped by varying protagonists, realms of life, literary genre or other factors.
Figures
Tanakh will often focus on one individual protagonist at a time, even if this means compromising on chronological order.
Realms of Life
When a protagonist's interactions in two realms of his life (such as the personal / familial realm vs. the political /national realm) overlap, Tanakh will often separate the two strands of the story rather than constantly switching back and forth.
Individual vs. Universal
When an incident has both a universal and individual aspect to it, Tanakh will focus on one at a time.
Literary Genre
Torah often separates material of different genres. Thus, even if a unit of laws was relayed over a period of time and other events occurred simultaneously, Torah might group the legal and narrative material separately. Similarly, when a book contains both prophecies and history, each might be grouped alone even if this creates achronology.
Speech vs. Action
When an action occurs in the middle of a conversation, or an extended conversation occurs in the midst of a list of several actions, Tanakh might distinguish between the two.
Non-overlapping Stories
Even when two stories do not overlap in time, Tanakh might prefer thematic unity over a strict chronological recounting. This might be motivated by a desire to group together texts which share similar themes, laws which are relevant to the same time period, or content written by the same author.
Thematically similar units
At times, closely related events might be grouped together, even if this creates achronology.23
"לדורות" / "לשעה"
Tanakh might group laws which are relevant only for a specific time period (לשעה) separately from those which are relevant for all future generations (לדורות).
Two Authors
If a book has multiple authors, each author's material might be grouped separately even if this means that some content is relayed achronologically.
Simultaneous Actions
When a unit contains but one element, the entire unit might not just overlap with but actually occur totally simultaneously with another event. In such cases, Tanakh does not have a choice but to tell one event before the other, even though this does not represent the reality.
Technical Displacement: Minor Details
In many cases, the majority and core of a given story is recorded in its proper chronological place and it is just one or two secondary components which are displaced. The displaced unit might be moved from elsewhere to join and thereby complete the central story ("להשלים את הענין") or it might be separated from the main narrative so as not to interrupt the story line ("לא להפסיק את הענין"):
Preludes and Epilogues: "להשלים את הענין"
A subordinate component of a story might be moved from its proper chronological place so as to complete a central narrative. This might take the form of a prelude or heading before the main story or an epilogue or summation at the end.
Preludes
An event which occurred earlier is displaced to serve as an introduction and/or provide necessary background to a later story.
Epilogues
A component of a story which is only to occur later is moved earlier to provide closure to the main unit.
Headings
An event which is soon to be discussed in the text is mentioned already in the heading of the unit, not because it takes place then, but to let the reader know what is to come. This phenomenon often takes the form of "כלל ופרט", a general formulation followed by details.
Summaries
An episode which occurred and was explicitly mentioned earlier in Tanakh is repeated in order to serve as a summary to a unit.
Prologues and Appendices: "לא להפסיק את הענין"
Secondary narrative components might be moved to form a prologue at the very beginning of a unit or an appendix at the end because setting them in their proper chronological place in the middle of the central unit would otherwise break the flow of the main narrative . The episode or topic which is displaced is either irrelevant to the main theme or message of the unit, of lesser import, or of a different literary character.
Prologues
An event is moved from its correct chronological place later in the text and placed at the very beginning of the unit where it will not disrupt the main topic.
Appendices
An episode is moved from its correct chronological place earlier in the narrative and placed at the very end of the unit where it will not disrupt the main topic.
Homiletical Juxtaposition
Achronology might stem from a desire to relay a message through the juxtaposition of two stories which otherwise would not follow one another. The message might be a lesson in proper behavior, a showcasing of Hashem's attributes, or a means of highlighting (or hiding) a character's strengths or faults.
Proper Behavior
Two nonconsecutive stories might be juxtaposed to teach a lesson in proper behavior.
Hashem's Attributes
Achronology might serve to link stories so as to highlight Hashem's ways and attributes.
Character
Juxtaposing stories that otherwise would not follow one another can help a reader compare and contrast different figures, often highlighting their merits or faults.
Defense of Avot
Achronology might be a means of obscuring a fault or sin of the Avot or nation.