Difference between revisions of "Commentators:R. Shemuel b. Meir (Rashbam)/0"

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<li><b>Literary Anticipation (הקדמות) </b>– This principle assumes that certain statements appear in the text not because they are needed at that point in the narrative, but rather to prepare the reader for what is to come. Rashbam introduces and explains the theory in his comments to Bereshit 1:1, where he brings the well known example of "חם הוא אבי כנען".&#8206;<fn>He explains that this statement is brought in the beginning of the story of Noach's drunkenness so that the reader will know who Canaan is when he is later cursed by Noach.</fn> Though Rashbam is not the first to apply the principle, he develops the idea, uses it more extensively,<fn>See Sefer HaGan Bereshit 48:12, "וזה אחד מן הכתובים שפירש רבינו שמואל הבאים להסביר מקראות שלפנים כדפירש בתחילת בראשית" which implies that Rashbam was known for applying the method of "hakdamot".</fn> and takes it further than his predecessors. His most radical application is the suggestion that the entire creation narrative serves merely to introduce the commandment to keep the Shabbat.<fn>For other examples, see his comments to Bereshit 14:18, 18:1, 20:4, 24:1,35, 25:28, 26:15, 34,35, 29:31, 35:22, 37:2,11, 23, 41:50, Shemot 1:1, 2:23, 6:14,18, 16:15, Devarim 1:2, 4:11, 4:41.&#160; See also Reconstructed Rashbam to Bereshit 9:18,14:18.</fn></li>
 
<li><b>Literary Anticipation (הקדמות) </b>– This principle assumes that certain statements appear in the text not because they are needed at that point in the narrative, but rather to prepare the reader for what is to come. Rashbam introduces and explains the theory in his comments to Bereshit 1:1, where he brings the well known example of "חם הוא אבי כנען".&#8206;<fn>He explains that this statement is brought in the beginning of the story of Noach's drunkenness so that the reader will know who Canaan is when he is later cursed by Noach.</fn> Though Rashbam is not the first to apply the principle, he develops the idea, uses it more extensively,<fn>See Sefer HaGan Bereshit 48:12, "וזה אחד מן הכתובים שפירש רבינו שמואל הבאים להסביר מקראות שלפנים כדפירש בתחילת בראשית" which implies that Rashbam was known for applying the method of "hakdamot".</fn> and takes it further than his predecessors. His most radical application is the suggestion that the entire creation narrative serves merely to introduce the commandment to keep the Shabbat.<fn>For other examples, see his comments to Bereshit 14:18, 18:1, 20:4, 24:1,35, 25:28, 26:15, 34,35, 29:31, 35:22, 37:2,11, 23, 41:50, Shemot 1:1, 2:23, 6:14,18, 16:15, Devarim 1:2, 4:11, 4:41.&#160; See also Reconstructed Rashbam to Bereshit 9:18,14:18.</fn></li>
 
<li><b>Issues of Chronology:&#160;לא להפסיק הענין</b> – Rashbam invokes the rule "אין מוקדם ומאוחר" only once in his commentary,<fn>See his comments to Vayikra 10:3.</fn> generally preferring to posit that the Torah is written in chronological order.<fn>In this, Rashbam stands in contrast to Rashi who invokes the principle numerous times,&#160; sometimes providing a homiletical reason for the lack of order, but often not providing any reason at all. The difference might relate to their differing outlooks on the goal of Torah.&#160; For Rashi,&#160; for whom Torah's messages and halakhot are primary, historical order is not crucial. For, Rashbam, on the other hand, the historical aspect of Torah is very important; lessons are learned specifically from the way events unrolled. [See reconstructed Rashbam Bereshit 5:12 regarding the importance he placed on Biblical genealogies.] In addition, while Rashi's commentary is very local and atomistic in its outlook, rendering chronology somewhat insignificant, Rashbam's is broader in scope, making the order of events much more relevant.</fn>&#160; In the few places where he does posit a lack of order, he provides a literary reason, noting that Tanakh might delay or prepone the recording of certain details<fn>Sometimes, too, an entire parashah might be recorded out of place.</fn> so as not to interrupt a storyline (לא להפסיק הענין).<fn>See, for example, his comments to Bereshit 24:22, where he explains that although the servant really gave Rivka the jewelry only after asking who she is, the fact is recorded earlier so as not to interrupt the servant's speech.&#160; For other examples, see Rashbam Bereshit 31:33, 35:22 and Shemot 18:13.</fn></li>
 
<li><b>Issues of Chronology:&#160;לא להפסיק הענין</b> – Rashbam invokes the rule "אין מוקדם ומאוחר" only once in his commentary,<fn>See his comments to Vayikra 10:3.</fn> generally preferring to posit that the Torah is written in chronological order.<fn>In this, Rashbam stands in contrast to Rashi who invokes the principle numerous times,&#160; sometimes providing a homiletical reason for the lack of order, but often not providing any reason at all. The difference might relate to their differing outlooks on the goal of Torah.&#160; For Rashi,&#160; for whom Torah's messages and halakhot are primary, historical order is not crucial. For, Rashbam, on the other hand, the historical aspect of Torah is very important; lessons are learned specifically from the way events unrolled. [See reconstructed Rashbam Bereshit 5:12 regarding the importance he placed on Biblical genealogies.] In addition, while Rashi's commentary is very local and atomistic in its outlook, rendering chronology somewhat insignificant, Rashbam's is broader in scope, making the order of events much more relevant.</fn>&#160; In the few places where he does posit a lack of order, he provides a literary reason, noting that Tanakh might delay or prepone the recording of certain details<fn>Sometimes, too, an entire parashah might be recorded out of place.</fn> so as not to interrupt a storyline (לא להפסיק הענין).<fn>See, for example, his comments to Bereshit 24:22, where he explains that although the servant really gave Rivka the jewelry only after asking who she is, the fact is recorded earlier so as not to interrupt the servant's speech.&#160; For other examples, see Rashbam Bereshit 31:33, 35:22 and Shemot 18:13.</fn></li>
<li><b>כלל ופרט –</b> Rashbam explains that it is confluent with the Torah’s style to first generalize and afterwards explain.</li>
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<li><b>כלל ופרט –</b> Rashbam explains that it is confluent with the Torah’s style to first generalize and afterwards explain.<fn>See, for instance, his comments to Bereshit 18:1, Shemot 2:15, 6:30, 19:8 (and examples there), 21:3, 30:34, Vayikra 9:23-24 and 10:1-3 (see how this impacts his understanding o fthe deaths of Nadav and Avihu) 12:2,&#160; Bemidbar 16:14.&#160; See also Devarim 20:5 where he notes that the verse first gives the details and then generalizes.</fn></li>
 
<li><b>Geographical markers (סימן בתוך סימן)</b> – Rashbam notes that Tanakh often "gives signs upon signs" to mark the exact location of a place.<fn>Thus, one should not be surprised by the long list of place names in Devarim 1:1.&#160; See his comments there, where he points to other examples in Bereshit 12:8, 14:2, Devarim 4:44-45 and Shofetim 21:19.&#160; He also notes that, in particular, the text will make sure to mention the location in which commandments were given.</fn></li>
 
<li><b>Geographical markers (סימן בתוך סימן)</b> – Rashbam notes that Tanakh often "gives signs upon signs" to mark the exact location of a place.<fn>Thus, one should not be surprised by the long list of place names in Devarim 1:1.&#160; See his comments there, where he points to other examples in Bereshit 12:8, 14:2, Devarim 4:44-45 and Shofetim 21:19.&#160; He also notes that, in particular, the text will make sure to mention the location in which commandments were given.</fn></li>
 
<li><b>&#160;Poetic Doubling (פסוקי דשמואל)<fn>This term was dubbed by Rashi, apparently because Rashbam introduced him to the phenomenon.&#160; See Sefer HaGan who brings Rashbam's explanation to the doubling in Bereshit 49:22,and then adds: "כל זה מיסוד רבנו שמואל, וכשהיה רבי שלמה זקנו מגיע לאותן פסוקים היה קורא אותם פסוקי שמואל על שמו".</fn> </b>– Rashbam explains many examples of doubled phrases (such as "בן פורת יוסף בן פורת עלי עין") as being simply a common stylistic feature of poetic passages in Tanakh.<fn>Se Rashbam Bereshit 49:22 where he points to other examples in Tehillim 92:10, 93:3, 94:3 and Kohelet 1:2. See also Rashbam Shemot 15:6,11,16 for examples in the Song of the Sea. Rashbam even notes an example in a prose passage, in his comments to Shemot 4:9.</fn></li>
 
<li><b>&#160;Poetic Doubling (פסוקי דשמואל)<fn>This term was dubbed by Rashi, apparently because Rashbam introduced him to the phenomenon.&#160; See Sefer HaGan who brings Rashbam's explanation to the doubling in Bereshit 49:22,and then adds: "כל זה מיסוד רבנו שמואל, וכשהיה רבי שלמה זקנו מגיע לאותן פסוקים היה קורא אותם פסוקי שמואל על שמו".</fn> </b>– Rashbam explains many examples of doubled phrases (such as "בן פורת יוסף בן פורת עלי עין") as being simply a common stylistic feature of poetic passages in Tanakh.<fn>Se Rashbam Bereshit 49:22 where he points to other examples in Tehillim 92:10, 93:3, 94:3 and Kohelet 1:2. See also Rashbam Shemot 15:6,11,16 for examples in the Song of the Sea. Rashbam even notes an example in a prose passage, in his comments to Shemot 4:9.</fn></li>

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R. Shemuel b. Meir (Rashbam)

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Rashbam
Name
R. Shemuel b. Meir
ר' שמואל בן מאיר, רשב"ם
Dates1085-1174
LocationFrance
WorksTanakh and Talmud commentaries
Exegetical Characteristics
Influenced byRashi, his father R. Meir
Impacted onR. Eliezer of Beaugency, R. Yosef Bekhor Shor

Background

Life

  • Name – 
    • Hebrew name – R. Shemuel b. Meir (ר' שמואל בן מאיר), of which Rashbam (רשב"ם) is an acronym.
  • Dates – c.10851 – c.1174.2
  • Location – Rashbam lived in cities in Northern France including Troyes, Ramerupt, Paris, Caen, and Loudun.3
  • Occupation – Rashbam had a flock of ewes, which provided milk and wool.4
  • Family – Rashbam was the grandson of Rashi5 and the son of R. Meir.6 His brothers were R. Yitzchak and R. Tam. He had a daughter Marona and perhaps a son Yosef.7
  • Teachers – 
  • Contemporaries – 
  • Students – 
  • Time period

Works

  • Biblical commentaries – Rashbam wrote a commentary on most or all of Tanakh. See below regarding his Torah commentary.8 Commentaries of Rashbam on Tehillim, Iyyov, Kohelet, and Shir HaShirim have recently been published, but his authorship of these works is disputed. Citations from Rashbam's commentaries on Neviim and Ketuvim also survived in the Arugat HaBosem of R. Avraham b. Azriel and in some Northern French commentaries.
  • Grammar – 
  • Rabbinics – 
    • Talmudic novellae – Rashbam wrote commentaries on the tenth chapter of Pesachim and on Bava Batra 29a through the end9 in order to complete missing sections of Rashi's commentary. In addition Rashbam wrote commentaries on Eiruvin,10 Gittin,11 Bava Kama,12 other sections of Bava Batra,13 and Niddah14 which are not extant, but are cited by other commentaries.
    • Halakhic codes – 
    • Responses to the works of others – 
    • Responsa – 
  • Jewish thought – 
  • Commonly misattributed to Rashbam – 

Torah Commentary

Textual Issues

  • Manuscripts – Rashbam's commentary on Torah survived only in one manuscript, MS Breslau 103, and even this manuscript was lost during the Holocaust. This manuscript was missing the first three Parashot of Sefer Bereshit, Parashat Pinechas, and Devarim 33:3 through the end.15 Rashbam's commentary on Bereshit 1 was discovered by A. Geiger in MS Munich 5, and it is now incorporated in most printed editions. In 1882, D. Rosin published a critical edition based on MSS Breslau 103 and Munich 5. Rashbam's commentary on part of Devarim 34 was published by M. Sokolow in 1984 from MS Oxford 34.  Regarding the reconstruction of the missing portions of Rashbam's commentary, see Rashbam's Torah Commentary.
  • Printings – The commentary was printed for the first time in 1705 in Berlin.
  • Long and short commentaries – 
  • The writing process – 
  • Rashbam's later updates – 

Characteristics

  • Verse by verse / Topical – Rashbam, like his grandfather, Rashi, before him, wrote a verse by verse commentary.  He focuses on textual and conceptual issues rather than philosophical ones. Hןis commentary, nonetheless, is not local in scope.  He viewed the entire text as one integrated unit, searching for Biblical parallels and noting "ways of the text".16
  • Peshat and Derash – Rashbam repeatedly asserts17 that even though the halakhic and midrashic level of interpretation is the most essential one,18 his goal is to explain the simple sense of Scripture.19  In this, he saw himself as a pioneer, often noting that his predecessors did not reach a full understanding of "פשוטו של מקרא",‎20 and that even those who attempted to do so, did not go far enough.21 Rashbam's "peshat" exegesis is exemplified on the one hand by his refusal to look outside the text to Midrashim to explain difficulties, fill in missing details, or to identify the unknown, and by his intrascriptural exegesis (using context, biblical parallels, or "דרכי המקראת") on the other.22 
    • Peshat vs. Midreshei Aggadah – Though Rashbam will rarely incorporate such Midrashim into his commentary (as they are not anchored in the text),23 he did not view these as false, writing, "כל דברי רבותינו ודרשותיהם כנים ואמתים"‎.24 
    • Peshat vs. Midreshei Halakhah – At times, Rashbam will explain a verse according to its simple sense, even when this contradicts a halakhah.25  Perhaps the most well known instance is his explanation of Shemot 13:9.  The verse is commonly understood to refer to the command to don phylacteries, yet Rashbam writes that it is simply a call to remember the Exodus, as if it were written on one's arm.26

Methods

  • Programmatic statements – Though Rashbam does not write an introduction to his commentary where he lays out his methodology, in several of his comments he hints to it,27 most notably in his conclusion to Devarim 34. There he writes, "הרי פירושו לפי הפסוקים... ודרך ארץ ודבר חכמה", noting that his commentary is marked by intrascriptural exegesis and an eye to realia and logic. Each of these will be elaborated on below:
  • Intrascriptural exegesis – This method is marked by the -- to explain the text only by
    • דרכי המקראות – Rashbam explains certain difficulties in the Biblical text by noting that these are not really anomalies, but common Biblical literary phenomena, "the way of the text."  Several categories of examples follow:
      • Literary Anticipation (הקדמות) – This principle assumes that certain statements appear in the text not because they are needed at that point in the narrative, but rather to prepare the reader for what is to come. Rashbam introduces and explains the theory in his comments to Bereshit 1:1, where he brings the well known example of "חם הוא אבי כנען".‎28 Though Rashbam is not the first to apply the principle, he develops the idea, uses it more extensively,29 and takes it further than his predecessors. His most radical application is the suggestion that the entire creation narrative serves merely to introduce the commandment to keep the Shabbat.30
      • Issues of Chronology: לא להפסיק הענין – Rashbam invokes the rule "אין מוקדם ומאוחר" only once in his commentary,31 generally preferring to posit that the Torah is written in chronological order.32  In the few places where he does posit a lack of order, he provides a literary reason, noting that Tanakh might delay or prepone the recording of certain details33 so as not to interrupt a storyline (לא להפסיק הענין).34
      • כלל ופרט – Rashbam explains that it is confluent with the Torah’s style to first generalize and afterwards explain.35
      • Geographical markers (סימן בתוך סימן) – Rashbam notes that Tanakh often "gives signs upon signs" to mark the exact location of a place.36
      •  Poetic Doubling (פסוקי דשמואל)37 – Rashbam explains many examples of doubled phrases (such as "בן פורת יוסף בן פורת עלי עין") as being simply a common stylistic feature of poetic passages in Tanakh.38
      • Names and references – Rashbam observes that it is common in Tanakh for a sister to be called after the name of her older brother39 or a messenger to be referred to by the name of the one who sent him.40  he further notes that  males will generally be named before females41 and those who are more important before those of lesser stature42.
      • Grammatical phenomena – Rashbam states that it is "דרך המקראות" to sometimes use a singular formulation when referring to the plural (Bereshit 1:14), to double the word "נא" (Bereshit 12:11)43 or "גם" (Bereshit 24:25),44 leave out the word "אשר" (Bereshit 18:5), to use androgynous forms,45 or to double an idea  in synonymous parallels (Bereshit 49:3, 5, 8,11,23 and Devarim 32:2346).
      • Linguistic Phenomena – Rashbam notes that it is the way of the text to use the word "והנה" when expressing wonder (Bereshit 25:24, 29:25), to use the term ten to refer to many (Bereshit 31:7), or to use the specific terms "דגן ותירוש ויצהר" to refer to any agricultural produce (Shemot 23:11),
    • Biblical Parallels and proof-texts
  • Way of the World (דרך ארץ) – In explaining many verses, Rashbam points to customs, social norms, and general human behavior. 
    • Language – Rashbam notes that the language of the text, at times, simply reflects human tendencies. Esau repeats the word “red” in his request to his brother for “it is the way of a man in a hurry to double his words” (Gen. 25:30). Similarly, one need not learn anything from the fact that the Torah says that the angels in Jacob’s dream first went up and then down, for “it is דרך ארץ to mention rising before descending” (Gen. 28:12)
    • Human Behavior
    • Customs

Themes

  • – 

Sources

Significant Influences

  • Earlier Sources – 
  • Teachers – 
  • Foils – 

Occasional Usage

Possible Relationship

Impact

Later exegetes

Supercommentaries