Lemekh and His Wives in Art/0/en

Lemekh in Art

Overview

The character of Lamekh appears in Tanakh only briefly, relaying an enigmatic speech to his wives which hints to a murder, but does not elaborate further.  The four artworks displayed here, the painting by William Blake,¹ the woodcut by Julius Schnorr von Carolsfeld, ² the engraving by the Alexander Master,³ and the miniature from the Speculum humanæ salvationis all depict the event.⁴ The portrayals differ in almost every detail, from the choice of characters included, to the emotions they express and the actions they commit.  The variety reflects the many different ways the story has been understood.

Contrasting Images

Blake

Blake's image is full of pathos,with a grief-stricken Lemech taking center stage.  Lemech pulls his hair in anguish as he looks at the dead body sprawled on the floor by his feet.  His wives stand to the side, embracing each other in their shared sorrow as they look at both their husband and his victim.

Schnorr

Schnorr's Lamekh stands in stark contrast to that of Blake.  He is not tormented and distraught, but rather proud and defiant.   He runs home to his waiting wives and family, his sword raised in a sign of victory.  They look up at him with admiration.

Alexander Master

The Alexander Master depicts Lemech as a hunter.  He stands to the viewer's left, holding his bow and arrow, aiming to shoot.  Near him a young boy lies face down on the ground, while a second man lies a bit further away with an arrow through his heart.  This Lemekh's emotions are hard to read, and contain neither signs of despair nor of pride.

Speculum

This depiction differs from the others in that it contains no hints of violence on the part of Lemech at all, no sword and no dead bodies.  Instead, a somewhat foolish-looking Lemech stands in between his two wives, who raise their fists at him and pull on his hair.  Lemech lifts his hands as if to say, "enough, what do you want from me?"

Relationship to the Biblical Text

The artists' choices reflect certain ambiguities in the Biblical text and different possible interpretive stances:

How many dead bodies?

While the Alexander Master depicts two dead bodies, and Blake includes just one, Schnorr and the Speculum do not portray any at all.⁵  Which choice is most supported by the Biblical text?  Lemekh's words, "כִּי אִישׁ הָרַגְתִּי לְפִצְעִי וְיֶלֶד לְחַבֻּרָתִי" are ambiguous.  Taken literally, one might assume that both a child and older man were killed,⁶ but it is also possible that the two halves of the verse are simply poetically parallel and speak of but one victim.⁷ Alternatively, Lemekh's words do not constitute a statement at all but rather a rhetorical question, "Have I killed a man...", in which case there should be no deaths to view.⁸

Boast or lament?

Blake's Lemekh is dismayed at his actions, whereas Schnorr's figure seems proud, and happy to share his feat.  What was the Biblical Lemekh feeling?  Again the text is ambiguous, and depends both on how one interprets the phrases "לְפִצְעִי" and "לְחַבֻּרָתִי" and what tone one ascribes to Lemekh's words. Thus, for example, Seforno reads Lemekh as expressing sincere regret and explains that he is telling his wives, "I have killed a man and it will be a wound to me" (I will always hurt for my deed).  Ibn Kaspi, in contrast, asserts that Lemekh is boasting to his wives that to retaliate for a mere bruise, he has killed a man.

Lemekh's wives

In Blake's image Lemekh's wives appear almost as distraught as he, hugging each other in their pain.  In the Speculum, in contrast, the two wives do not appear anguished but rather  harass their husband.  Though Bereshit shares nothing of Adah and Zilah's reactions, both depictions fit various commentaries on the story.  The Tanchuma suggest that Lemekh has killed his own relatives, his ancestor, Kayin, and his son, Tuval Kayin.  As such, a mournful response by his wives is expected.  According to R. Yosef Kara and Shadal, though, Lemekh is reacting to his wives and not vice verca.  Due to their constant harrasment, he questions why he deserves such a fate if he is an innocent man, never having killed another.

Murder Weapon

Schnorr depicts Lemech wielding a sword while the Alexander Master accouters him with a bow and arrow. Blake's image, in contrast, shows no weapon at all.  Here, too, Tanakh is not explicit,

¹ William Blake (1757-1827) was a British painter and poet associated with the Romantic movement.  The painting is housed in the Tate Gallery, London.

² Schnorr (1794-1872) was a German painter of the Nazarene movement.  He made over 200 engravings of Biblical scenes for for a Picture Bible, Die Bibel in Bildern.

³ This image is from the History Bible (KB, 78 D 38 I), c. 1430, which contains over 50 miniatures.  It is housed in the National Library of the Netherlands, the Hague.

⁴ The Speculum humanæ salvationis, or Mirror of Human Salvation, is an anonymous, but influential work dating to the Late Middle Ages.  It portrays the concept of typology, that the events of the New Testament were prefigured by those recounted in the Old.  Several hundred illuminated copies of it were made in the 14th-15th centuries, and later, with the advent of printing, a few blockbook editions were made which included woodcuts.

⁵ Schnorr, though, alludes to the murder through the sword in Lemekh's hand.

⁶ See, for instance, Tanchuma who identifies these as Kayin and Tuval Kayin, or the Netziv who agrees that two people were killed but leaves them anonymous.

⁷ See Cassuto who reads the verse in this manner.

⁸ For two variations of this approach see Bereshit Rabbah and R. Yosef Kara.  The former assumes that Noach's wives refused to have relation with him, knowing of the impending flood.  R. Yosef Kara, in contrast, has Lemekh responding to the noisy quarreling between his wives. Either way, Lemekh questions them why they are punishing him, if he has done no wrong and killed neither boy nor man..