Difference between revisions of "Literary Devices – Bemidbar 20/0"

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<div><b><center><span class="highlighted-notice">This topic has not yet undergone editorial review</span></center></b></div>
 
<div><b><center><span class="highlighted-notice">This topic has not yet undergone editorial review</span></center></b></div>
 
<category>Structure
 
<category>Structure
<p>A literary envelope marks the opening and closing of a literary unit through the repetition of key phrases, and often implies a sense of harmony and consistency within the unit.</p>
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<subcategory>Literary Envelope
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<li>A literary envelope or inclusio marks the opening and closing of a literary unit through the repetition of key phrases. Bemidbar 20 opens with "וַיָּבֹאוּ... <span style="color: #0000ff;">כׇּל הָעֵדָה</span>" and the death of Miriam,&#160; and closes with "וַיִּרְאוּ <span style="color: #0000ff;">כׇּל הָעֵדָה</span>" and the death of Aharon. The envelope structure emphasizes that the theme of the whole chapter is the end of the first generation of leaders.</li>
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<li>Articles – For discussion and other examples of literary envelopes, see <a href="Literary:Structural Devices" data-aht="page">Structural Devices</a>.</li>
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<category>Parallels and Contrasts
 
<category>Parallels and Contrasts

Version as of 23:53, 4 June 2024

Literary Devices – Bemidbar 20

This topic has not yet undergone editorial review

Structure

Literary Envelope

  • A literary envelope or inclusio marks the opening and closing of a literary unit through the repetition of key phrases. Bemidbar 20 opens with "וַיָּבֹאוּ... כׇּל הָעֵדָה" and the death of Miriam,  and closes with "וַיִּרְאוּ כׇּל הָעֵדָה" and the death of Aharon. The envelope structure emphasizes that the theme of the whole chapter is the end of the first generation of leaders.
  • Articles – For discussion and other examples of literary envelopes, see Structural Devices.

 

Parallels and Contrasts

Key Words

Character Titles