Difference between revisions of "Literary Devices – Bereshit 4/0"
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<category>Parallels and Contrasts | <category>Parallels and Contrasts | ||
<p>The song of Lemech (4:23-24) is an excellent example of Biblical parallelism, in which adjacent phrases parallel each other.  This is a typical feature of Biblical poetry, of which this might be the first instance.<fn>For more information about the nature of Biblical parallelism, see Dr. Mayer I. Gruber’s article <a href="https://www.jstor.org/stable/20689374?read-now=1&seq=1#page_scan_tab_contents">The Meaning of Biblical Parallelism: A Biblical Perspective</a> and Dr. Adele Berlin’s <a href="https://www.jstor.org/stable/23503350?searchText=&searchUri=&ab_segments=&searchKey=&refreqid=fastly-default%3A597a674cac61fd731f453302a133d0b9">Grammatical Aspects of Biblical Parallelism</a>. Other resources (not available online) are Dr. Robert Alter’s <i>The Art of Biblical Poetry</i> pp. 3-61, Dr. Adele Berlin’s <i>The Dynamics of Biblical Parallelism</i>, and Dr. James Kugel’s <i>The Idea of Biblical Poetry: Parallelism and Its History.  </i></fn></p> | <p>The song of Lemech (4:23-24) is an excellent example of Biblical parallelism, in which adjacent phrases parallel each other.  This is a typical feature of Biblical poetry, of which this might be the first instance.<fn>For more information about the nature of Biblical parallelism, see Dr. Mayer I. Gruber’s article <a href="https://www.jstor.org/stable/20689374?read-now=1&seq=1#page_scan_tab_contents">The Meaning of Biblical Parallelism: A Biblical Perspective</a> and Dr. Adele Berlin’s <a href="https://www.jstor.org/stable/23503350?searchText=&searchUri=&ab_segments=&searchKey=&refreqid=fastly-default%3A597a674cac61fd731f453302a133d0b9">Grammatical Aspects of Biblical Parallelism</a>. Other resources (not available online) are Dr. Robert Alter’s <i>The Art of Biblical Poetry</i> pp. 3-61, Dr. Adele Berlin’s <i>The Dynamics of Biblical Parallelism</i>, and Dr. James Kugel’s <i>The Idea of Biblical Poetry: Parallelism and Its History.  </i></fn></p> | ||
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</category> | </category> | ||
<category>Key Words | <category>Key Words | ||
<p><a href="https://mg.alhatorah.org/TanakhLab/Bereshit/4/1/4/26">Tanakh Lab</a> reveals that the top keywords in the story of Kayin and Hevel (Bereshit 4:1-16) are: אדמה, הרג, מנחה, and אח . When looking at the chapter as a whole, including its second half which lists Kayin's descendants, these words still top the list but are joined by the verb "ילד" (to bear a child) reflecting the theme of the second half of the unit.</p> | <p><a href="https://mg.alhatorah.org/TanakhLab/Bereshit/4/1/4/26">Tanakh Lab</a> reveals that the top keywords in the story of Kayin and Hevel (Bereshit 4:1-16) are: אדמה, הרג, מנחה, and אח . When looking at the chapter as a whole, including its second half which lists Kayin's descendants, these words still top the list but are joined by the verb "ילד" (to bear a child) reflecting the theme of the second half of the unit.</p> | ||
| − | <subcategory> | + | <subcategory>אֲדָמָה (Land) |
| − | <p>The word "אֲדָמָה" appears six times in verses 1-16, and can be used to trace the plot. The reader is introduced to Kayin through his occupation as a worker of the land (עֹבֵד אֲדָמָה).  The murder of Hevel, though, cannot be tolerated by the land, as his blood cries out from within.  As such, Kayin is cursed from the land, which will no longer produce fruit for him, forcing him to wander.</p> | + | <p>The word "<span style="color: #339966;">אֲדָמָה</span>" appears six times in verses 1-16, and can be used to trace the plot. The reader is introduced to Kayin through his occupation as a worker of the land (עֹבֵד אֲדָמָה).  The murder of Hevel, though, cannot be tolerated by the land, as his blood cries out from within.  As such, Kayin is cursed from the land, which will no longer produce fruit for him, forcing him to wander.</p> |
</subcategory> | </subcategory> | ||
<subcategory>הרג (Kill) | <subcategory>הרג (Kill) | ||
| − | <p>Given the theme of fratricide, it is not surprising that the root "הרג" appears multiple times in the chapter.  Interestingly, though, in addition to thee mentions in the story of Hevel's murder, the root also appears twice in the genealogy list of the second half of the chapter, when speaking of Kayin's descendant Lemech. The continuity of the theme makes one question whether Kayin's whole line was marked by violence, and whether sins of fathers are doomed to be repeated by their children.</p> | + | <p>Given the theme of fratricide, it is not surprising that the root "<span style="color: #ff0000;">הרג</span>" appears multiple times in the chapter.  Interestingly, though, in addition to thee mentions in the story of Hevel's murder, the root also appears twice in the genealogy list of the second half of the chapter, when speaking of Kayin's descendant Lemech. The continuity of the theme makes one question whether Kayin's whole line was marked by violence, and whether sins of fathers are doomed to be repeated by their children.</p> |
</subcategory> | </subcategory> | ||
<subcategory>אָח (Brother) | <subcategory>אָח (Brother) | ||
| − | <p>The word | + | <p>The word “<span style="color: #0000ff;">אָח</span>” (brother) appears seven times in the unit.  The repetition of the word serves to underscore the unusual cruelty of Hevel’s murder at the hands of Kayin by emphasizing the familial bond that he severed. <b></b>The use of the word “אח” in this narrative is also an example of a relational epithet, a device by which a person is referred to in relation to another person in order to emphasize the significance of their relationship in the context of the story. [See Character Titles, below.]</p> |
</subcategory> | </subcategory> | ||
</category> | </category> | ||
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<p>Hevel is referred to in three ways in the chapter, with his proper name Hevel or in relationship to Kayin, being called either " הֶבֶל אָחִיו" (his brother, Hevel) or more simply "אָחִיךָ"/ "אָחִי" (your/my brother)</p> | <p>Hevel is referred to in three ways in the chapter, with his proper name Hevel or in relationship to Kayin, being called either " הֶבֶל אָחִיו" (his brother, Hevel) or more simply "אָחִיךָ"/ "אָחִי" (your/my brother)</p> | ||
<ul> | <ul> | ||
| − | <li>הָבֶל – In the opening verses of the chapter (2-4) Hevel is referred to by his proper name alone. Though these verses contrast him and Kayin, there is no repeated emphasis on their relationship, and | + | <li>הָבֶל – In the opening verses of the chapter (2-4) Hevel is referred to by his proper name alone. Though these verses contrast him and Kayin, there is no repeated emphasis on their relationship, and Hevel is described in terms of his own name, occupation, and actions.</li> |
<li>הֶבֶל אָחִיו – In verses 8-9 which describe the murder and its immediate aftermath, the text highlights the relationship, emphasizing the this is not simply murder but fratricide, all the more terrible due to the familial bond.</li> | <li>הֶבֶל אָחִיו – In verses 8-9 which describe the murder and its immediate aftermath, the text highlights the relationship, emphasizing the this is not simply murder but fratricide, all the more terrible due to the familial bond.</li> | ||
| − | <li>"אָחִיךָ"/ "אָחִי" – In the second half of verse 9-11, when Hashem accuses and punishes Kayin, Hevel's identity is solely that of "brother", focusing only on the relationship. With his death, Hevel is no longer, not even in name, and all that remains is the reminder of brotherhood that should have been.</li> | + | <li>"אָחִיךָ"/ "אָחִי" – In the second half of verse 9-11, when Hashem accuses and punishes Kayin, Hevel's identity is solely that of "brother", with the verse focusing only on the relationship. With his death, Hevel is no longer, not even in name, and all that remains is the reminder of brotherhood that should have been.</li> |
</ul> | </ul> | ||
</subcategory> | </subcategory> | ||
Version as of 06:38, 20 June 2023
Literary Devices – Bereshit 4
Structure
Parallels and Contrasts
The song of Lemech (4:23-24) is an excellent example of Biblical parallelism, in which adjacent phrases parallel each other. This is a typical feature of Biblical poetry, of which this might be the first instance.1
Key Words
Tanakh Lab reveals that the top keywords in the story of Kayin and Hevel (Bereshit 4:1-16) are: אדמה, הרג, מנחה, and אח . When looking at the chapter as a whole, including its second half which lists Kayin's descendants, these words still top the list but are joined by the verb "ילד" (to bear a child) reflecting the theme of the second half of the unit.
אֲדָמָה (Land)
The word "אֲדָמָה" appears six times in verses 1-16, and can be used to trace the plot. The reader is introduced to Kayin through his occupation as a worker of the land (עֹבֵד אֲדָמָה). The murder of Hevel, though, cannot be tolerated by the land, as his blood cries out from within. As such, Kayin is cursed from the land, which will no longer produce fruit for him, forcing him to wander.
הרג (Kill)
Given the theme of fratricide, it is not surprising that the root "הרג" appears multiple times in the chapter. Interestingly, though, in addition to thee mentions in the story of Hevel's murder, the root also appears twice in the genealogy list of the second half of the chapter, when speaking of Kayin's descendant Lemech. The continuity of the theme makes one question whether Kayin's whole line was marked by violence, and whether sins of fathers are doomed to be repeated by their children.
אָח (Brother)
The word “אָח” (brother) appears seven times in the unit. The repetition of the word serves to underscore the unusual cruelty of Hevel’s murder at the hands of Kayin by emphasizing the familial bond that he severed. The use of the word “אח” in this narrative is also an example of a relational epithet, a device by which a person is referred to in relation to another person in order to emphasize the significance of their relationship in the context of the story. [See Character Titles, below.]
Character Titles
Hevel
Hevel is referred to in three ways in the chapter, with his proper name Hevel or in relationship to Kayin, being called either " הֶבֶל אָחִיו" (his brother, Hevel) or more simply "אָחִיךָ"/ "אָחִי" (your/my brother)
- הָבֶל – In the opening verses of the chapter (2-4) Hevel is referred to by his proper name alone. Though these verses contrast him and Kayin, there is no repeated emphasis on their relationship, and Hevel is described in terms of his own name, occupation, and actions.
- הֶבֶל אָחִיו – In verses 8-9 which describe the murder and its immediate aftermath, the text highlights the relationship, emphasizing the this is not simply murder but fratricide, all the more terrible due to the familial bond.
- "אָחִיךָ"/ "אָחִי" – In the second half of verse 9-11, when Hashem accuses and punishes Kayin, Hevel's identity is solely that of "brother", with the verse focusing only on the relationship. With his death, Hevel is no longer, not even in name, and all that remains is the reminder of brotherhood that should have been.
Kayin
- Interestingly, Kayin has but one title throughout, his proper name. In contrast to Hevel, he is never referred to as Hevel's brother, perhaps because he proved himself not to really be one.
