Difference between revisions of "Literary Devices – Bereshit 50/0"
m |
m |
||
Line 15: | Line 15: | ||
<ul> | <ul> | ||
<li>Prof. Robert Alter notes that Sefer Bereshit begins with Hashem’s breath calling all life into being, and ends with the image of a body in a coffin. This represents the closure of the first stage of human history in the eyes of Tanakh. Sefer Shemot will open the next stage with a narrative of prolific birth.</li> | <li>Prof. Robert Alter notes that Sefer Bereshit begins with Hashem’s breath calling all life into being, and ends with the image of a body in a coffin. This represents the closure of the first stage of human history in the eyes of Tanakh. Sefer Shemot will open the next stage with a narrative of prolific birth.</li> | ||
− | </ul> | + | </ul><ul> |
− | <ul> | ||
<li><b>Secondary Literature</b></li> | <li><b>Secondary Literature</b></li> | ||
<ul> | <ul> | ||
Line 24: | Line 23: | ||
</ul> | </ul> | ||
</subcategory> | </subcategory> | ||
− | |||
− | |||
− | |||
</category> | </category> | ||
<category>Key Words | <category>Key Words | ||
Line 34: | Line 30: | ||
</subcategory> | </subcategory> | ||
<subcategory>On Mourning | <subcategory>On Mourning | ||
− | <p>The words that appear with greatest frequency in Bereshit 50 relative to the rest of Bereshit and the rest of Tanakh are “חנט”  (embalming) and “אֵבֶל” (mourning) reflecting the specific connection of this chapter to the period and practices of mourning.</p> | + | <p>The words that appear with greatest frequency in Bereshit 50 relative to the rest of Bereshit and the rest of Tanakh are “חנט”  (embalming) and “אֵבֶל” (mourning), reflecting the specific connection of this chapter to the period and practices of mourning.</p> |
</subcategory> | </subcategory> | ||
<subcategory>"פקד" | <subcategory>"פקד" | ||
Line 42: | Line 38: | ||
</ul> | </ul> | ||
</subcategory> | </subcategory> | ||
− | |||
− | |||
</category> | </category> | ||
</page> | </page> | ||
</aht-xml> | </aht-xml> |
Version as of 22:05, 2 August 2023
Literary Devices – Bereshit 50
Literary Envelope
In a literary envelope, a section begins and ends with similar ideas or words, marking the opening and closing of a coherent unit with consistent themes throughout.
Yosef and Yaakov
- The story of Yaakov’s relationship with Yosef begins with the 17 years that they lived together before Yosef was sold (37:2) and concludes with the 17 years that they spent together after being reunited in Egypt (47:28).1 This implies a sense of resolution and closure that is achieved with their reunion, and the significance of their relationship as the defining backbone of their narratives.
- Sources – Radak notes that the frame also illustrates the reversal of roles that takes place over the course of life: “דרשו בו כמו שהיה יוסף בחיק יעקב שבע עשרה כן היה יעקב בחיק יוסף שבע עשרה שנה”
Sefer Bereshit: From Life to Death
- Prof. Robert Alter notes that Sefer Bereshit begins with Hashem’s breath calling all life into being, and ends with the image of a body in a coffin. This represents the closure of the first stage of human history in the eyes of Tanakh. Sefer Shemot will open the next stage with a narrative of prolific birth.
- Secondary Literature
- See R. Alter, Genesis: Translation and Commentary, (New York, 1996).
- For discussion of how literary envelopes, be they inlcusios or inversions, might help a reader demarcate the boundaries of a story, see Professor Yonatan Grossman's Narrative Demarcation (I) - "You Have Set an Inviolable Boundary"
Key Words
The various keywords of this chapter (father, ascent and land, on one hand, and embalming and mourning on the other) relate to both the national and personal spheres. This is a common, if subtle, motif in Tanakh, that national concerns and aspirations -- such as the return to the land of Israel -- are rooted in the personal experiences of individuals and their relationships to each other.
Father, Ascent and Land
Tanakh Lab demonstrates that the words that appear with greatest frequency in this chapter are אב, עלה, ארץ. The terms appear in two contexts -- the returning of Yaakov to be buried in the land of Israel and the promise that the nation of Israel will eventually return as well.2 Thus Sefer Bereshit concludes by emphasizing the eternal link of the Patriarchs and their descendants to the Land.
On Mourning
The words that appear with greatest frequency in Bereshit 50 relative to the rest of Bereshit and the rest of Tanakh are “חנט” (embalming) and “אֵבֶל” (mourning), reflecting the specific connection of this chapter to the period and practices of mourning.
"פקד"
- Though the root "פקד" appears only four times in the chapter, see the concordance that, with one exception, all appearances of the root (and the related noun פקיד) in Sefer Bereshit are found in the Yosef narratives,3 suggesting that the word might play an important role in the story.
- Secondary Literature – Professor Yonatan Grossman, in his article Leitwort (III) discusses the repetition of the root, noting that it takes various forms with different meanings:: “פקד” (to take account or remember), “הפקיד” (appoint), and “פקיד” (agent) . The various usages and different contexts4 underscore the theme of dual causality that is central to the story of Yosef, playing with the question: “Who is the ruler? Who is the agent?” (God or man?)