Difference between revisions of "Mizmor 145: Transcendence and Immanence/0"
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<subcategory>God is Great, God is Good | <subcategory>God is Great, God is Good | ||
<p><b>I. Outline</b></p> | <p><b>I. Outline</b></p> | ||
| − | <p>Prelude: Individual Blessing  (verses 1-2)</p> | + | <p>A. Prelude: Individual Blessing  (verses 1-2)</p> |
<ul> | <ul> | ||
<li>Stanza 1: Transcendence: Hashem's Greatness (verses 3-6)</li> | <li>Stanza 1: Transcendence: Hashem's Greatness (verses 3-6)</li> | ||
<li>Stanza 2: Immanence: Hashem's Goodness (verses 7-9)</li> | <li>Stanza 2: Immanence: Hashem's Goodness (verses 7-9)</li> | ||
</ul> | </ul> | ||
| − | <p>Interlude: Blessing of the Righteous (verse 10)</p> | + | <p>B. Interlude: Blessing of the Righteous (verse 10)</p> |
<ul> | <ul> | ||
<li>Stanza 3: Transcendence: Hashem's Kingship (verses 11-13)</li> | <li>Stanza 3: Transcendence: Hashem's Kingship (verses 11-13)</li> | ||
<li>Stanza 4: Immanence: Hashem's Benevolence (verses 14-20)</li> | <li>Stanza 4: Immanence: Hashem's Benevolence (verses 14-20)</li> | ||
</ul> | </ul> | ||
| − | <p>Postlude: Universal Blessing (verse 21)</p> | + | <p>C. Postlude: Universal Blessing (verse 21)</p> |
<p><b>II. Analysis</b></p> | <p><b>II. Analysis</b></p> | ||
<p>This structure is based on both the content and guiding words of each unit.</p> | <p>This structure is based on both the content and guiding words of each unit.</p> | ||
| Line 33: | Line 33: | ||
<subcategory>Alternating Voices: A Call to Praise | <subcategory>Alternating Voices: A Call to Praise | ||
<p><b>I. Outline</b></p> | <p><b>I. Outline</b></p> | ||
| − | |||
<ul> | <ul> | ||
| + | <li>Stanza 1: Call of the Individual (verses 1-3)</li> | ||
| + | <ul> | ||
| + | <li>Call to Praise (verses 1-2)</li> | ||
<li>Answering Call: Hashem is Great (verse 3)</li> | <li>Answering Call: Hashem is Great (verse 3)</li> | ||
</ul> | </ul> | ||
| − | + | </ul> | |
<ul> | <ul> | ||
| + | <li>Stanza 2: Call of the Individual and Community  (verses 4-9)</li> | ||
| + | <ul> | ||
| + | <li>Call to Praise (verses 4-7)</li> | ||
<li>Answering Call: Hashem is Caring (verses 8-9)</li> | <li>Answering Call: Hashem is Caring (verses 8-9)</li> | ||
</ul> | </ul> | ||
| − | < | + | </ul> |
| + | <ul> | ||
| + | <li>Stanza 3: Call of the Community (verses 10-14)</li> | ||
<ul> | <ul> | ||
| + | <li>Call to Praise (verses 10-13)</li> | ||
<li>Answering Call: Hashem is Caring (verse 14)</li> | <li>Answering Call: Hashem is Caring (verse 14)</li> | ||
</ul> | </ul> | ||
| − | < | + | </ul> |
| + | <ul> | ||
| + | <li>Stanza 4: Universal Cry of Need</li> | ||
| + | <ul> | ||
| + | <li>All Turn to God in Hope (verses 15-16)</li> | ||
| + | <li>Answering Call: Hashem Care (verses 17-20)</li> | ||
| + | </ul> | ||
| + | </ul> | ||
<ul> | <ul> | ||
| − | <li> | + | <li>Conclusion (verse 21)</li> |
</ul> | </ul> | ||
| − | |||
<p><b>II. Analysis</b></p> | <p><b>II. Analysis</b></p> | ||
<ul> | <ul> | ||
| − | <li><b>Speaker  </b>– This structure is built off changes in speaker, with | + | <li><b>Speaker  </b>– This structure is built off changes in speaker, with each stanza alternating between a section which address Hashem in the second person (those entitled, "call to praise") and those which address Him in the third person (those entitled, "answering call").<b><br/></b></li> |
| − | <li> <b>Content</b> – The second person stanzas each speak of a group of people who will praise Hashem, while the third person stanzas provide the content of that praise. The | + | <li> <b>Content</b> – The second person stanzas each speak of a group of people who will praise Hashem, while the third person stanzas provide the content of that praise. The final stanza is somewhat exceptional in speaking not of praising Hashem, but how all turn to God in the hopes that He will provide for them.  The expectation is met with a cry of confirmation, that Hashem does indeed listen and watch over His loyal followers..</li> |
<li><b>Progression</b> – In each of the first three "call to praise" stanzas,  progressively more people are called to to praise Hashem. First the individual alone blesses Hashem, then he together with others, until "all of Hashem's creations" thank him. </li> | <li><b>Progression</b> – In each of the first three "call to praise" stanzas,  progressively more people are called to to praise Hashem. First the individual alone blesses Hashem, then he together with others, until "all of Hashem's creations" thank him. </li> | ||
</ul> | </ul> | ||
| Line 64: | Line 78: | ||
</subcategory> | </subcategory> | ||
<subcategory>Alliteration | <subcategory>Alliteration | ||
| − | <p>There are | + | <p>There are several examples of alliteration in the psalm:</p> |
| − | |||
</subcategory> | </subcategory> | ||
<subcategory>Acrostic | <subcategory>Acrostic | ||
Version as of 07:57, 21 September 2020
Transcendence and Immanence
Structure
Several alternative structures have been proposed for the psalm, each highlighting different themes and messages. Two possibilities follow:
God is Great, God is Good
I. Outline
A. Prelude: Individual Blessing (verses 1-2)
- Stanza 1: Transcendence: Hashem's Greatness (verses 3-6)
- Stanza 2: Immanence: Hashem's Goodness (verses 7-9)
B. Interlude: Blessing of the Righteous (verse 10)
- Stanza 3: Transcendence: Hashem's Kingship (verses 11-13)
- Stanza 4: Immanence: Hashem's Benevolence (verses 14-20)
C. Postlude: Universal Blessing (verse 21)
II. Analysis
This structure is based on both the content and guiding words of each unit.
- The Frame – The root "ברכ"appears three times in the chapter, once in the beginning (verse 1), once in the middle (verse 10) and once at the end (verse 21). The changing context of the phrase points to a progression from the individual to the universal, as first the psalmist blesses Hashem (), then the community of righteous () and finally all flesh (). These verses, thus, serve to frame the psalm, comprising its introduction, interlude and conclusion.
- Stanza 1 – In verses 3-6 the root "גדול" appears three times, twice in the beginning and once at the end of the unit, framing the section. The theme pervades the verses as synonyms () evoke the same message of Hashem's might and grandeur.
- Stanza 2 – This stanza is framed by the word "טוב" (appearing in both verse 7 and 9). It appropriately revolves around Hashem's caring, being marked by words connoting mercy (חַנּוּן וְרַחוּם, אֶרֶךְ אַפַּיִם, גְדׇל חָסֶד).
- Stanza 3 – This subsection reverts back to the theme of Hashem's transcendence introduced in stanza 1, highlighting Hashem's kingship, with variations of the word "מַלְכוּת" appearing four time in the three verses.
- Stanza 4 – The fourth stanza elaborates on stanza 2, providing many examples of Hashem's caring. It is marked by the guiding word "כל" which appears 10 times in the section, 1 and emphasizes the scope of Hashem's benevolence.
III. Key Idea
This structure highlights how the psalm switches back and forth between describing Hashem's transcendence and immanence, demonstrating how, despite Hashem's grandeur and greatness, he is not distant but rather "close to all that call to Him."
Alternating Voices: A Call to Praise
I. Outline
- Stanza 1: Call of the Individual (verses 1-3)
- Call to Praise (verses 1-2)
- Answering Call: Hashem is Great (verse 3)
- Stanza 2: Call of the Individual and Community (verses 4-9)
- Call to Praise (verses 4-7)
- Answering Call: Hashem is Caring (verses 8-9)
- Stanza 3: Call of the Community (verses 10-14)
- Call to Praise (verses 10-13)
- Answering Call: Hashem is Caring (verse 14)
- Stanza 4: Universal Cry of Need
- All Turn to God in Hope (verses 15-16)
- Answering Call: Hashem Care (verses 17-20)
- Conclusion (verse 21)
II. Analysis
- Speaker – This structure is built off changes in speaker, with each stanza alternating between a section which address Hashem in the second person (those entitled, "call to praise") and those which address Him in the third person (those entitled, "answering call").
- Content – The second person stanzas each speak of a group of people who will praise Hashem, while the third person stanzas provide the content of that praise. The final stanza is somewhat exceptional in speaking not of praising Hashem, but how all turn to God in the hopes that He will provide for them. The expectation is met with a cry of confirmation, that Hashem does indeed listen and watch over His loyal followers..
- Progression – In each of the first three "call to praise" stanzas, progressively more people are called to to praise Hashem. First the individual alone blesses Hashem, then he together with others, until "all of Hashem's creations" thank him.
III. Key Idea
This structure presents the psalm as comprising two different voices speaking, the narrator who calls on others to praise Hashem, and those who answer his call and proceed to do so. The Mizmor serves as a fitting introduction to the last 5 psalm of the book which continue to extol Hashem.
Literary Devices
Guiding Words
Alliteration
There are several examples of alliteration in the psalm:
Acrostic
The psalm is written as an acrostic, going through the alphabet, but missing the letter nun.
