Difference between revisions of "Structure – Shemot 18/0"

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(Original Author: Neima Novetsky, Rabbi Hillel Novetsky)
(Original Author: Neima Novetsky, Rabbi Hillel Novetsky)
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<p><aht-sis color="black" weight="bold" step="1">"Yitro's Visit" (18:1-27)</aht-sis></p>
 
<p><aht-sis color="black" weight="bold" step="1">"Yitro's Visit" (18:1-27)</aht-sis></p>
 
<ul>
 
<ul>
<li><b>Frame</b> – Shemot 18 is a self-contained unit framed by Yitro's arrival and departure.<fn>Cf. <multilink><aht source="Cassuto18End">U. Cassuto</aht><aht source="Cassuto18End">Conclusion of Shemot 18</aht><aht parshan="Umberto Cassuto">About U. Cassuto</aht></multilink> who notes that the chapter begins with the "sending away" (שִׁלּוּחֶיהָ) of Zipporah (18:2) and concludes with the "sending away" (וַיְשַׁלַּח) of Yitro (18:27).  He also notes that <transliterate>vayishma</transliterate> (וַיִּשְׁמַע) appears at both the beginning (18:1) and near the end (18:24) of the chapter.</fn></li>
+
<li><b>Frame</b> – Shemot 18 is a self-contained unit framed by Yitro's arrival and departure.<fn>Cf. <multilink><aht source="Cassuto18End">U. Cassuto</aht><aht source="Cassuto18End">Conclusion of Shemot 18</aht><aht parshan="Umberto Cassuto">About U. Cassuto</aht></multilink> who notes that the chapter begins with the "sending away" (שִׁלּוּחֶיהָ) of Zipporah (18:2) and concludes with the "sending away" (וַיְשַׁלַּח) of Yitro (18:27).  He also notes that <i>vayishma</i> (וַיִּשְׁמַע) appears at both the beginning (18:1) and near the end (18:24) of the chapter.</fn></li>
 
<li><b>Characters</b> – Yitro and Moshe are the main protagonists throughout the chapter and the only speakers.  In the surrounding chapters, in contrast, the nation plays a more active role.</li>
 
<li><b>Characters</b> – Yitro and Moshe are the main protagonists throughout the chapter and the only speakers.  In the surrounding chapters, in contrast, the nation plays a more active role.</li>
 
<li><b>Plot</b> – The unifying motif of the entire chapter is Yitro's interest and concern regarding the welfare of Moshe and the people.  This theme is repeated numerous times – see <aht-sis color="red" weight="normal" step="1">vss. 1,8,9,14,17,23</aht-sis>.</li>
 
<li><b>Plot</b> – The unifying motif of the entire chapter is Yitro's interest and concern regarding the welfare of Moshe and the people.  This theme is repeated numerous times – see <aht-sis color="red" weight="normal" step="1">vss. 1,8,9,14,17,23</aht-sis>.</li>
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<!-- <h2 name="Unit Boundaries"><aht-sis color="red" weight="bold" step="1">Step 1</aht-sis> – Boundaries of Larger Unit – <i style="text-transform:none">"Yitro's Visit"</i> (18:1-27)</h2>
 
<!-- <h2 name="Unit Boundaries"><aht-sis color="red" weight="bold" step="1">Step 1</aht-sis> – Boundaries of Larger Unit – <i style="text-transform:none">"Yitro's Visit"</i> (18:1-27)</h2>
 
<ul>
 
<ul>
<li>Frame – Shemot 18 is a self-contained unit framed by Yitro's arrival and departure.<fn>Cf. <multilink><aht source="Cassuto18End">U. Cassuto</aht><aht source="Cassuto18End">Conclusion of Shemot 18</aht><aht parshan="Umberto Cassuto">About U. Cassuto</aht></multilink> who notes that the chapter begins with the "sending away" (שִׁלּוּחֶיהָ) of Zipporah (18:2) and concludes with the "sending away" (וַיְשַׁלַּח) of Yitro (18:27).  He also notes that <transliterate>vayishma</transliterate> (וַיִּשְׁמַע) appears at both the beginning (18:1) and near the end (18:24) of the chapter.</fn></li>
+
<li>Frame – Shemot 18 is a self-contained unit framed by Yitro's arrival and departure.<fn>Cf. <multilink><aht source="Cassuto18End">U. Cassuto</aht><aht source="Cassuto18End">Conclusion of Shemot 18</aht><aht parshan="Umberto Cassuto">About U. Cassuto</aht></multilink> who notes that the chapter begins with the "sending away" (שִׁלּוּחֶיהָ) of Zipporah (18:2) and concludes with the "sending away" (וַיְשַׁלַּח) of Yitro (18:27).  He also notes that <i>vayishma</i> (וַיִּשְׁמַע) appears at both the beginning (18:1) and near the end (18:24) of the chapter.</fn></li>
 
<li>Characters (Who) – Yitro and Moshe are the main protagonists throughout the chapter and the only speakers.  In the surrounding chapters, in contrast, the nation plays a more active role.</li>
 
<li>Characters (Who) – Yitro and Moshe are the main protagonists throughout the chapter and the only speakers.  In the surrounding chapters, in contrast, the nation plays a more active role.</li>
 
<li>Plot (What) – The unifying motif of the entire chapter is Yitro's interest and concern regarding the welfare of Moshe and the people.  This theme is repeated numerous times – see <aht-sis color="red" weight="normal" step="1">vss. 1,8,9,14,17,23</aht-sis>.</li>
 
<li>Plot (What) – The unifying motif of the entire chapter is Yitro's interest and concern regarding the welfare of Moshe and the people.  This theme is repeated numerous times – see <aht-sis color="red" weight="normal" step="1">vss. 1,8,9,14,17,23</aht-sis>.</li>

Version as of 23:40, 25 June 2014

Structural Analysis – Shemot 18
"Yitro's Visit"

Broader Context

  • Shemot 18 is part of the larger unit "A Nation in Transition" which encompasses Chapters 15:22 – 18:27. For further discussion and alternative understandings of the relationship between Chapter 18 and its surrounding chapters, see Structure of Sefer Shemot.
  • Step 1 – Boundaries of the Unit

    "Yitro's Visit" (18:1-27)

    • Frame – Shemot 18 is a self-contained unit framed by Yitro's arrival and departure.1
    • Characters – Yitro and Moshe are the main protagonists throughout the chapter and the only speakers. In the surrounding chapters, in contrast, the nation plays a more active role.
    • Plot – The unifying motif of the entire chapter is Yitro's interest and concern regarding the welfare of Moshe and the people. This theme is repeated numerous times – see vss. 1,8,9,14,17,23.

    Step 2 – Division into Scenes

    I. "Reunion" (18:1-12)
    II. "Yitro's Advice" (18:13-26)
    Aftermath: Yitro's Departure (18:27)

    Step 3.1 – Subdivision of Scene I

    A. "News & Arrival" (18:1-7)
    B. "Conversation" (18:8-12)

    Step 3.2 – Subdivision of Scene II

    A. "Problem" (18:13-18)
    B. "Proposal" (18:19-23)
    C. "Implementation" (18:24-26)

    Click here to continue to Literary Analysis.