Difference between revisions of "Two Accounts of Creation: Bereshit 1–2/2/en"
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<approaches> | <approaches> | ||
− | <category | + | <category>Literary Device |
<p>The repetition of the creation story with its varying details is a literary device in which the Torah first presents a general overview and then proceeds to speak in more detail about important individual components.</p> | <p>The repetition of the creation story with its varying details is a literary device in which the Torah first presents a general overview and then proceeds to speak in more detail about important individual components.</p> | ||
<mekorot><multilink><a href="MishnatREliezer1" data-aht="source">Mishnat R. Eliezer</a><a href="MishnatREliezer1" data-aht="source">1</a><a href="Mishna" data-aht="parshan">About the Mishna</a></multilink>, <multilink><a href="RashiBereshit2-5" data-aht="source">Rashi<multilink data-aht=""></multilink></a><a href="RashiBereshit2-5" data-aht="source">Bereshit 2:5</a><a href="RashiBereshit2-8" data-aht="source">Bereshit 2:8</a><a href="RashiBereshit2-19" data-aht="source">Bereshit 2:19</a><a href="R. Shelomo Yitzchaki (Rashi)" data-aht="parshan">About R. Shelomo Yitzchaki</a></multilink>, <multilink><a href="RYosefBekhorShorBereshit1-27" data-aht="source">R. Yosef Bekhor Shor</a><a href="RYosefBekhorShorBereshit1-27" data-aht="source">Bereshit 1:27</a><a href="R. Yosef Bekhor Shor" data-aht="parshan">About R. Yosef Bekhor Shor</a></multilink>, <multilink><a href="RashbamBereshit1-27" data-aht="source">Rashbam</a><a href="RashbamBereshit1-27" data-aht="source">Bereshit 1:27</a><a href="R. Shemuel b. Meir (Rashbam)" data-aht="parshan">About R. Shemuel b. Meir</a></multilink>, <multilink><a href="RadakBereshit2-4-5" data-aht="source">Radak</a><a href="RadakBereshit2-4-5" data-aht="source">Bereshit 2:4-5</a><a href="RadakBereshit2-19" data-aht="source">Bereshit 2:19</a><a href="R. David Kimchi (Radak)" data-aht="parshan">About R. David Kimchi</a></multilink>, <multilink><a href="UCassutoBereshit2-4" data-aht="source">U. Cassuto</a><a href="UCassutoBereshit2-4" data-aht="source">Bereshit 2:4</a><a href="Prof. Umberto Cassuto" data-aht="parshan">About Prof. Umberto Cassuto</a></multilink></mekorot> | <mekorot><multilink><a href="MishnatREliezer1" data-aht="source">Mishnat R. Eliezer</a><a href="MishnatREliezer1" data-aht="source">1</a><a href="Mishna" data-aht="parshan">About the Mishna</a></multilink>, <multilink><a href="RashiBereshit2-5" data-aht="source">Rashi<multilink data-aht=""></multilink></a><a href="RashiBereshit2-5" data-aht="source">Bereshit 2:5</a><a href="RashiBereshit2-8" data-aht="source">Bereshit 2:8</a><a href="RashiBereshit2-19" data-aht="source">Bereshit 2:19</a><a href="R. Shelomo Yitzchaki (Rashi)" data-aht="parshan">About R. Shelomo Yitzchaki</a></multilink>, <multilink><a href="RYosefBekhorShorBereshit1-27" data-aht="source">R. Yosef Bekhor Shor</a><a href="RYosefBekhorShorBereshit1-27" data-aht="source">Bereshit 1:27</a><a href="R. Yosef Bekhor Shor" data-aht="parshan">About R. Yosef Bekhor Shor</a></multilink>, <multilink><a href="RashbamBereshit1-27" data-aht="source">Rashbam</a><a href="RashbamBereshit1-27" data-aht="source">Bereshit 1:27</a><a href="R. Shemuel b. Meir (Rashbam)" data-aht="parshan">About R. Shemuel b. Meir</a></multilink>, <multilink><a href="RadakBereshit2-4-5" data-aht="source">Radak</a><a href="RadakBereshit2-4-5" data-aht="source">Bereshit 2:4-5</a><a href="RadakBereshit2-19" data-aht="source">Bereshit 2:19</a><a href="R. David Kimchi (Radak)" data-aht="parshan">About R. David Kimchi</a></multilink>, <multilink><a href="UCassutoBereshit2-4" data-aht="source">U. Cassuto</a><a href="UCassutoBereshit2-4" data-aht="source">Bereshit 2:4</a><a href="Prof. Umberto Cassuto" data-aht="parshan">About Prof. Umberto Cassuto</a></multilink></mekorot> | ||
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<point><b>Creation of Man and Women  - together or separate?</b> Chapter One describes the end result of mankind's creation, that both male and female were created.  The details of that creation are expressed in Chapter 2 where the reader learns that this was a staged process, with man being created prior to his mate and she being formed only later via one of his ribs.</point> | <point><b>Creation of Man and Women  - together or separate?</b> Chapter One describes the end result of mankind's creation, that both male and female were created.  The details of that creation are expressed in Chapter 2 where the reader learns that this was a staged process, with man being created prior to his mate and she being formed only later via one of his ribs.</point> | ||
<point><b>Man in the image of God or from earth</b> – Similarly, while Chapter 1 states only that mankind was made in Hashem's image, Chapter 2 elaborates exactly how this occurred: man was formed from the dust of the earth and then God breathed into him a living soul.</point> | <point><b>Man in the image of God or from earth</b> – Similarly, while Chapter 1 states only that mankind was made in Hashem's image, Chapter 2 elaborates exactly how this occurred: man was formed from the dust of the earth and then God breathed into him a living soul.</point> | ||
− | <point><b>Order of creation</b> – This approach maintains that the order of creation described in Chapter 1 is the primary and accurate order.  The differences that emerge from | + | <point><b>Order of creation</b> – This approach maintains that the order of creation described in Chapter 1 is the primary and accurate order.  The differences that emerge from Chapter 2 are given local explanations:<br/> |
<ul> | <ul> | ||
<li><b>Man: first or last?</b> Since the entire purpose of retelling the creation story in Chapter 2 is to move into a discussion of Adam and the particulars that relate to him alone, this account veers from the true order and begins by telling of his creation.</li> | <li><b>Man: first or last?</b> Since the entire purpose of retelling the creation story in Chapter 2 is to move into a discussion of Adam and the particulars that relate to him alone, this account veers from the true order and begins by telling of his creation.</li> | ||
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<point><b>Creation via speech?</b></point> | <point><b>Creation via speech?</b></point> | ||
</category> | </category> | ||
− | <category | + | <category>Two Facets of Creation |
<p>The two chapters describe different aspects of the same creation. Since man  and the world at large have contradictory, but nonetheless, coexisting facets, each aspect of the world is spoken of separately.  This approach has been developed in two similar, but distinct ways by R. Y"D Soloveitchik and R"M Breuer:<fn>For a comprarison and analysis of the differences in their approaches,see N. Bindiger, "כפילות פרשת הבריאה בפרשנותם של הר"יד סולובייציק והרב מרדכי ברויאר" in טללי אורות י"ד (2008): 181-204.</fn></p> | <p>The two chapters describe different aspects of the same creation. Since man  and the world at large have contradictory, but nonetheless, coexisting facets, each aspect of the world is spoken of separately.  This approach has been developed in two similar, but distinct ways by R. Y"D Soloveitchik and R"M Breuer:<fn>For a comprarison and analysis of the differences in their approaches,see N. Bindiger, "כפילות פרשת הבריאה בפרשנותם של הר"יד סולובייציק והרב מרדכי ברויאר" in טללי אורות י"ד (2008): 181-204.</fn></p> | ||
− | <opinion | + | <opinion>Creative and Majestic Man vs. the Man of Faith |
− | <p>Chapter 1 focuses on man in his creative capacity and his search for dignity through control over his environment while Chapter 2 describes the submissive man of faith and his search for redemption. As each prototype approaches his surroundings differently, the description of the creation of each and his world differs.</p> | + | <p>Chapter 1 focuses on man in his creative capacity and his search for dignity through control over his environment, while Chapter 2 describes the submissive man of faith and his search for redemption. As each prototype approaches his surroundings differently, the description of the creation of each and his world differs.</p> |
− | <mekorot>RY"D Soloveitchik<fn>See "האיש האמונה הבודד" in "איש האמונה" (Jerusalem, 1981) 9-61.</fn></mekorot> | + | <mekorot>RY"D Soloveitchik<fn>See "האיש האמונה הבודד" in "איש האמונה" (Jerusalem, 1981): 9-61.</fn></mekorot> |
<point><b>Structural unit</b> – This approach views Chapters 1 and 2 as one unit;  only when read together can one appreciate the complexity and multifaceted character of mankind.  Humans are are not solely the creative, utilitarian men of Chapter 1 nor the deep thinkers of Chapter 2 but an oxymoronic conglomerate of both.</point> | <point><b>Structural unit</b> – This approach views Chapters 1 and 2 as one unit;  only when read together can one appreciate the complexity and multifaceted character of mankind.  Humans are are not solely the creative, utilitarian men of Chapter 1 nor the deep thinkers of Chapter 2 but an oxymoronic conglomerate of both.</point> | ||
<point><b>Man in the image of God or from earth</b> – Adam 1 is created in the "image of God" and imitates Him; more than anything he aspires to create, like his Creator.  In contrast, Hashem forms Adam 2 from the dust of the earth and then breathes into him a soul.  This breath of God instills in him his spiritual yearning for relationship with Hashem,<fn>R. Soloveitchik writes, "The biblical metaphor referring to God breathing life into Adam alludes to actual preoccupation of the latter with God; to his genuine living experience of God rather than to some divine potential or endowment in Adam symbolized by imagio dei."</fn> while his humble origins make him ever cognizant of his lowliness in his search for God.</point> | <point><b>Man in the image of God or from earth</b> – Adam 1 is created in the "image of God" and imitates Him; more than anything he aspires to create, like his Creator.  In contrast, Hashem forms Adam 2 from the dust of the earth and then breathes into him a soul.  This breath of God instills in him his spiritual yearning for relationship with Hashem,<fn>R. Soloveitchik writes, "The biblical metaphor referring to God breathing life into Adam alludes to actual preoccupation of the latter with God; to his genuine living experience of God rather than to some divine potential or endowment in Adam symbolized by imagio dei."</fn> while his humble origins make him ever cognizant of his lowliness in his search for God.</point> | ||
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<point><b>Order of Creation</b> – As Adam 1 is essentially a natural being, he is created on the same day as the animals.  He is made last, as the pinnacle of creation, for he aims to control all lesser beings.  This is not true of Adam 2.</point> | <point><b>Order of Creation</b> – As Adam 1 is essentially a natural being, he is created on the same day as the animals.  He is made last, as the pinnacle of creation, for he aims to control all lesser beings.  This is not true of Adam 2.</point> | ||
</opinion> | </opinion> | ||
− | <opinion | + | <opinion>Natural World versus Revelatory World |
<p>Chapter 1 depicts the world in its natural state, with God's justice at its core, while Chapter 2 portrays a world of revelation and God's attributes of mercy.</p> | <p>Chapter 1 depicts the world in its natural state, with God's justice at its core, while Chapter 2 portrays a world of revelation and God's attributes of mercy.</p> | ||
<mekorot>R"M Breuer<fn>R. Breuer discusses the contrasting accounts numerous times in hiw various works.  See his Pirkei Moadot, (Jerusalem, 1986) 14-16, Pirkei Bereshit (Jerusalem, 1998): 82-122 and Pirkei Mikraot, Jerusalem,2009): 9-12.</fn></mekorot> | <mekorot>R"M Breuer<fn>R. Breuer discusses the contrasting accounts numerous times in hiw various works.  See his Pirkei Moadot, (Jerusalem, 1986) 14-16, Pirkei Bereshit (Jerusalem, 1998): 82-122 and Pirkei Mikraot, Jerusalem,2009): 9-12.</fn></mekorot> | ||
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</opinion> | </opinion> | ||
</category> | </category> | ||
− | <category | + | <category>Distinct Events |
<p>While Chapter 1 describes the creation of the world and the entire human species, Chapter 2 speaks of a different, later creation, the planting of Gan Eden and the formation of the individual, Adam.</p> | <p>While Chapter 1 describes the creation of the world and the entire human species, Chapter 2 speaks of a different, later creation, the planting of Gan Eden and the formation of the individual, Adam.</p> | ||
<mekorot>R"D Nissani<fn>See his article "בראשית א-ב: הסיפור הכפול על הבריאה"  in "כפשוטו: ביאורים וחידושים לסוגיות התורה", (Modiin, 2014): 3-14.</fn></mekorot> | <mekorot>R"D Nissani<fn>See his article "בראשית א-ב: הסיפור הכפול על הבריאה"  in "כפשוטו: ביאורים וחידושים לסוגיות התורה", (Modiin, 2014): 3-14.</fn></mekorot> |
Version as of 22:47, 24 August 2015
Two Accounts of Creation
Exegetical Approaches
Literary Device
The repetition of the creation story with its varying details is a literary device in which the Torah first presents a general overview and then proceeds to speak in more detail about important individual components.
- Man: first or last? Since the entire purpose of retelling the creation story in Chapter 2 is to move into a discussion of Adam and the particulars that relate to him alone, this account veers from the true order and begins by telling of his creation.
- Vegetation: before or after man?
- Rashi, following R. Asi in Bavli Chulin, harmonizes the two accounts by suggesting that the vegetation appeared on the earth on day three, but did not grow until after man's creation on day six.1
- Cassuto suggests instead that most vegetation was created before man, as described in Chapter 1. Chapter 2:5 is speaking only about very specific plants (שִׂיחַ הַשָּׂדֶה and עֵשֶׂב הַשָּׂדֶה) that were created afterwards. These terms refer to wheat and barley, which were only necessary after man sinned and could no longer benefit from the Garden of Eden. As Chapter 2 leads into the story of the sin, this fact is mentioned now.2
- Animals: before or after man? Radak explains that the word "וַיִּצֶר" in verse 19 refers not to the present creation of the animals but what Hashem had already done in Chapter 1.3 The fact is simply repeated to introduce Adam's naming of them.
- Radak, following Bereshit Rabbah, suggests that throughout Chapter 1, when creation was not yet complete, God's full name is not used. Only in Chapter 2, when the entire world exists, does the narrator use Hashem's full name.4
- Cassuto asserts that the name Elohim is a general term used to refer to God while Hashem is His proper name. Thus, in the general description of the material world the more distant term, "Elohim" is used. In the detailed description of His personal interaction with Adam, the proper name "Hashem" is used.5
Two Facets of Creation
The two chapters describe different aspects of the same creation. Since man and the world at large have contradictory, but nonetheless, coexisting facets, each aspect of the world is spoken of separately. This approach has been developed in two similar, but distinct ways by R. Y"D Soloveitchik and R"M Breuer:6
Creative and Majestic Man vs. the Man of Faith
Chapter 1 focuses on man in his creative capacity and his search for dignity through control over his environment, while Chapter 2 describes the submissive man of faith and his search for redemption. As each prototype approaches his surroundings differently, the description of the creation of each and his world differs.
Natural World versus Revelatory World
Chapter 1 depicts the world in its natural state, with God's justice at its core, while Chapter 2 portrays a world of revelation and God's attributes of mercy.
Distinct Events
While Chapter 1 describes the creation of the world and the entire human species, Chapter 2 speaks of a different, later creation, the planting of Gan Eden and the formation of the individual, Adam.
- "כָל מֹצְאִי יַהַרְגֵנִי" – Kayin's lament after his punishment for killing Hevel that "all who will find me will kill me" only makes sense on the backdrop of other existing humans.
- Progeny – If there were no other people in the world besides Adam, Chavvah and their children, whom did Kayin marry and how did he bear children?16
- "וַיְהִי בֹּנֶה עִיר" – After Kayin bears his child, Chanokh, the verse states that he built a city. A city connotes an area inhabited by many, not just Kayin's immediate family.