Difference between revisions of "Two Accounts of Creation: Bereshit 1–2/2/en"
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− | <li><b>Animals: before or after man?</b>  Radak explains that the word "וַיִּצֶר" in 2:19 refers | + | <li><b>Animals: before or after man?</b> </li> |
+ | <ul> | ||
+ | <li><b> Old Event</b> – Radak explains that the word "וַיִּצֶר" in 2:19 refers back to the previous creation already done in Chapter 1.<fn>Cassuto argues that such a reading has no validity and is just an attempt to harmonize the two accounts since "וַיִּצֶר" is not a past perfect form.</fn>  The fact is simply repeated to introduce Adam's naming of the animals.</li> | ||
+ | <li><b>New Event</b> – Cassuto argues that "וַיִּצֶר" is not a past perfect form and thus must refer to a new creation. Though many animals had already been created, Hashem now formed specific ones to introduce to Adam in the Garden.</li> | ||
+ | </ul> | ||
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<point><b>Commands to man: to conquer or to guard?</b> Chapter 2 which focuses on man's life once he moves into the Garden of Eden includes the specific instructions related to the garden.  Such directives have no place in the general account of Chapter 1 which, instead, includes the timeless command to multiply and subdue the earth.</point> | <point><b>Commands to man: to conquer or to guard?</b> Chapter 2 which focuses on man's life once he moves into the Garden of Eden includes the specific instructions related to the garden.  Such directives have no place in the general account of Chapter 1 which, instead, includes the timeless command to multiply and subdue the earth.</point> | ||
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<opinion>Creative/Majestic Man vs. the Man of Faith | <opinion>Creative/Majestic Man vs. the Man of Faith | ||
<p>Chapter 1 focuses on man in his creative capacity and his search for dignity through control over his environment, while Chapter 2 describes the submissive man of faith and his search for redemption.  As each prototype approaches his surroundings differently, the descriptions of each creation differ.</p> | <p>Chapter 1 focuses on man in his creative capacity and his search for dignity through control over his environment, while Chapter 2 describes the submissive man of faith and his search for redemption.  As each prototype approaches his surroundings differently, the descriptions of each creation differ.</p> | ||
− | <mekorot> | + | <mekorot>R. Y"D Soloveitchik<fn>See "האיש האמונה הבודד" in "איש האמונה" (Jerusalem, 1981): 9-61.</fn></mekorot> |
<point><b>Structural unit</b> – This approach views Chapters 1 and 2 as one unit; only when read together can one appreciate the complexity and multifaceted character of mankind.  Humans are are not solely the creative, utilitarian men of Chapter 1, nor the deep thinkers of Chapter 2, but an oxymoronic conglomerate of both.</point> | <point><b>Structural unit</b> – This approach views Chapters 1 and 2 as one unit; only when read together can one appreciate the complexity and multifaceted character of mankind.  Humans are are not solely the creative, utilitarian men of Chapter 1, nor the deep thinkers of Chapter 2, but an oxymoronic conglomerate of both.</point> | ||
<point><b>Man in the image of God or from earth</b> – Adam 1 is created in the "image of God" and imitates Him; more than anything he aspires to create, like his Creator.  In contrast, Hashem forms Adam 2 from the dust of the earth and then breathes into him a soul.  This breath of God instills in him his spiritual yearning for relationship with Hashem,<fn>R. Soloveitchik writes, "The biblical metaphor referring to God breathing life into Adam alludes to actual preoccupation of the latter with God; to his genuine living experience of God rather than to some divine potential or endowment in Adam symbolized by imagio dei."</fn> while his humble origins make him ever cognizant of his lowliness in his search for Hashem.</point> | <point><b>Man in the image of God or from earth</b> – Adam 1 is created in the "image of God" and imitates Him; more than anything he aspires to create, like his Creator.  In contrast, Hashem forms Adam 2 from the dust of the earth and then breathes into him a soul.  This breath of God instills in him his spiritual yearning for relationship with Hashem,<fn>R. Soloveitchik writes, "The biblical metaphor referring to God breathing life into Adam alludes to actual preoccupation of the latter with God; to his genuine living experience of God rather than to some divine potential or endowment in Adam symbolized by imagio dei."</fn> while his humble origins make him ever cognizant of his lowliness in his search for Hashem.</point> |
Version as of 00:09, 9 October 2015
Two Accounts of Creation
Exegetical Approaches
Overview
Commentators try to understand both the need for and the discrepancies between the two accounts of creation. The majority of commentators approach the issue from a literary perspective, claiming that Chapter 1 presents an overview of creation while Chapter 2 provides the details, focusing on the formation of man. The variations in the telling of the story stem from the different perspective and purpose. Others, such as R. Y"D Soloveitchik and R"M Breuer, are more philosophical in their approach. They claim that the two accounts complement each other, each relaying a different aspect of man and the world. Since man himself, and the world at large, have contradictory yet coexisting facets, so does the narrative.
A final approach is suggested by Hoil Moshe and elaborated upon by R"D Nissani.1 They suggest that the two chapters do not describe the same event at all, and as such, have no need to conform to each other. While Chapter 1 describes the initial creation of the world and the entire human species, Chapter 2 depicts a much later creation, that of the individual Adam. This suggestion attempts to explain other troubling issues in Bereshit as well, including the scientific vs. Biblical age of the world, the longevity of early humans, and the marriage of Kayin at a time when there were no other females besides his mother.
Literary Device
The repetition of the Creation story is a literary technique, in which the Torah first presents a general overview of the world's creation and then returns to provide greater detail about its most significant individual components.
- Man: first or last? Since the entire purpose of retelling the creation story in Chapter 2 is to move into a discussion of Adam and the particulars that relate to him alone, this account veers from the actual order and begins by recounting man's creation.
- Vegetation: before or after man?
- Rashi, following R. Assi in Bavli Chulin, harmonizes the two accounts by suggesting that vegetation appeared on the earth on day three, but did not grow until after man's creation on day six.2
- Cassuto suggests, in contrast, that most vegetation was created before man, as described in Chapter 1. Chapter 2:5 is speaking only about very specific plants ("שִׂיחַ הַשָּׂדֶה" and "עֵשֶׂב הַשָּׂדֶה") which were created afterwards. These terms refer to wheat and barley which were necessary only after man sinned and could no longer benefit from the Garden of Eden. As Chapter 2 leads into the story of the sin, this fact is mentioned only here.3
- Animals: before or after man?
- Old Event – Radak explains that the word "וַיִּצֶר" in 2:19 refers back to the previous creation already done in Chapter 1.4 The fact is simply repeated to introduce Adam's naming of the animals.
- New Event – Cassuto argues that "וַיִּצֶר" is not a past perfect form and thus must refer to a new creation. Though many animals had already been created, Hashem now formed specific ones to introduce to Adam in the Garden.
- Radak, following Bereshit Rabbah, suggests that throughout Chapter 1, when creation was not yet complete, Hashem's full name is not used. Only in Chapter 2, when the entire world exists, does the narrator use His full name.5
- Cassuto asserts that the name Elohim is a general term used to refer to God while Hashem is His proper name. Thus, in the general description of the material world the more distant term, "Elohim" is used. In the detailed description of His personal interaction with Adam, the proper name "Hashem" is used.6
Two Facets of Creation
The two chapters describe different aspects of the same creation. Since man and the world at large have contradictory, but nonetheless, coexisting facets, each aspect of the world is spoken of separately. This approach has been developed in two similar, but distinct, ways by R. Y"D Soloveitchik and R"M Breuer:7
Creative/Majestic Man vs. the Man of Faith
Chapter 1 focuses on man in his creative capacity and his search for dignity through control over his environment, while Chapter 2 describes the submissive man of faith and his search for redemption. As each prototype approaches his surroundings differently, the descriptions of each creation differ.
Natural World versus Revelatory World
Chapter 1 depicts the world in its natural state, with Hashem's justice at its core, while Chapter 2 portrays a world of revelation and God's attributes of mercy.
Completely Distinct Events
While Chapter 1 describes the earlier creation of the whole world and the entire human race, Chapter 2 speaks of a subsequent and wholly separate creation of the Garden of Eden and the individual Adam.
- Hoil Moshe seems to suggest that the pre-Adamites of Chapter 1 are a lesser form of the human species later fathered by Adam. He does not explain why Hashem did not simply start by creating a more perfect creature.16
- According to Nissani, Adam was uniquely created and placed in the Garden of Eden since he was to father a special race, distinct from the rest of mankind which had been created previously.
- "כָל מֹצְאִי יַהַרְגֵנִי" – Kayin's lament after his punishment for killing Hevel that "all who will find me will kill me" only makes sense on the backdrop of other existing humans.
- Progeny – If there were no other people in the world besides Adam, Chavvah and their children, whom did Kayin marry and how did he bear children?18
- "וַיְהִי בֹּנֶה עִיר" – After Kayin bears his child, Chanokh, the verse states that he built a city. A city connotes an area inhabited by many, not just Kayin's immediate family.