Difference between revisions of "Yonah and the Fish in Art/0"
Jump to navigation
Jump to search
This topic has not yet undergone editorial review
m |
|||
| Line 6: | Line 6: | ||
<div class="overview"> | <div class="overview"> | ||
<h2>Introduction</h2> | <h2>Introduction</h2> | ||
| − | Yonah 1-2 describe how Yonah is thrown overboard into the sea, swallowed by a fish, and finally released.The three artworks depicted here, Jan Breughel the Elder's oil painting, Giulio Romano's ink drawing and Joseph Asarfati's miniature from the Cervera Bible, all depict various aspects of the miraculous scene. They differ in their portrayals of each of the main characters | + | Yonah 1-2 describe how Yonah is thrown overboard into the sea, swallowed by a fish, and finally released.The three artworks depicted here, Jan Breughel the Elder's oil painting, Giulio Romano's ink drawing and Joseph Asarfati's miniature from the Cervera Bible, all depict various aspects of the miraculous scene. They differ in their portrayals of each of the main characters, raising questions about Yonah's state of mind when entrapped, the intended function of the fish, and the impact of the incident on the sailors.</div> |
<category>Contrasting Images | <category>Contrasting Images | ||
| − | <subcategory>Jan | + | <subcategory>Jan BreughelBreughel's image is almost a seascape, with most of the canvas filled with the blue-greens of the rough sea, menacing waves, and dark, cloud filled sky.  In the left background, a series of uninviting, jagged rocks tower out of the sea, lending an air of danger to the composition. In the foreground, opposite the cliffs, the lighting illuminates the prophet and fish. A red garbed, penitent Yonah walks out of the massive critter towards the empty shore, with his hands clasped in prayer.  The fish itself, with its oversized face and droopy eyes, looks more comic than ominous. |
| − | |||
</subcategory> | </subcategory> | ||
| − | <subcategory>Giulio | + | <subcategory>Giulio RomanoThis drawing is the busiest of the three images.  In the foreground, a petrified Yonah is spewed forth unceremoniously from a fantastical fish.  The creature is dragon-like, with a long tail, bird's head, and crocodile jaws. To the left, several onlookers edge away in fear, their arms outstretched as if to keep the terrifying monster away. In the background of the image, the sailors are depicted looking out over the boat's gunwhale, gesturing toward the water into which they have thrown Yonah. One stands with his arms raised, apparently distraught over the deed. |
| − | |||
</subcategory> | </subcategory> | ||
| − | <subcategory>Joseph | + | <subcategory>Joseph AsarfatiThis miniature manages to tell the story with a minimum of detail. At the top of the image, three sailors sit in the small boat barely looking at Yonah, apparently indifferent to his danger. The prophet is depicted beneath them, and contrary to expectations, heads not into a raging sea, but straight from the boat into the mouth of the fish. He, like the sailors, appears calm, exhibiting no signs of distress or attempts to save himself. In contrast to the other images, this fish is fairly realistic looking, and hardly bigger than Yonah himself. |
| − | |||
</subcategory> | </subcategory> | ||
</category> | </category> | ||
Version as of 13:28, 3 September 2020
Yonah and the Fish in Art
Introduction
Yonah 1-2 describe how Yonah is thrown overboard into the sea, swallowed by a fish, and finally released.The three artworks depicted here, Jan Breughel the Elder's oil painting, Giulio Romano's ink drawing and Joseph Asarfati's miniature from the Cervera Bible, all depict various aspects of the miraculous scene. They differ in their portrayals of each of the main characters, raising questions about Yonah's state of mind when entrapped, the intended function of the fish, and the impact of the incident on the sailors.Contrasting Images
Jan BreughelBreughel's image is almost a seascape, with most of the canvas filled with the blue-greens of the rough sea, menacing waves, and dark, cloud filled sky. In the left background, a series of uninviting, jagged rocks tower out of the sea, lending an air of danger to the composition. In the foreground, opposite the cliffs, the lighting illuminates the prophet and fish. A red garbed, penitent Yonah walks out of the massive critter towards the empty shore, with his hands clasped in prayer. The fish itself, with its oversized face and droopy eyes, looks more comic than ominous.
Giulio RomanoThis drawing is the busiest of the three images. In the foreground, a petrified Yonah is spewed forth unceremoniously from a fantastical fish. The creature is dragon-like, with a long tail, bird's head, and crocodile jaws. To the left, several onlookers edge away in fear, their arms outstretched as if to keep the terrifying monster away. In the background of the image, the sailors are depicted looking out over the boat's gunwhale, gesturing toward the water into which they have thrown Yonah. One stands with his arms raised, apparently distraught over the deed.
Joseph AsarfatiThis miniature manages to tell the story with a minimum of detail. At the top of the image, three sailors sit in the small boat barely looking at Yonah, apparently indifferent to his danger. The prophet is depicted beneath them, and contrary to expectations, heads not into a raging sea, but straight from the boat into the mouth of the fish. He, like the sailors, appears calm, exhibiting no signs of distress or attempts to save himself. In contrast to the other images, this fish is fairly realistic looking, and hardly bigger than Yonah himself.
Relationship to the Biblical Text
The artists' choices reflect certain ambiguities in the Biblical text and different possible interpretive stances:
