Difference between revisions of "Yonah and the Fish in Art/0"
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<p>While Brueghel's Yonah emerges from the fish with his hands raised in a gesture of prayer, looking submissive and penitent, Romano's Yonah appears terrified, and Asarfati's prophet is apathetic.  What was Yonah feeling before, during,and after being delivered by the fish? When thrown overboard, did he welcome death, as suggested by R. Natan in the Mekhilta?  When swallowed, did he view the fish as an instrument of salvation or of further punishment? Did the ordeal lead him to repent?  Compare R"E of Beaugency who suggests that Yonah was thankful rather than frightened within the fish, with Abarbanel who assumes that Yonah's terrifying entrapment led him to repent. For discussion, see <a href="Yonah's Prayer" data-aht="page">Yonah's Prayer</a></p> | <p>While Brueghel's Yonah emerges from the fish with his hands raised in a gesture of prayer, looking submissive and penitent, Romano's Yonah appears terrified, and Asarfati's prophet is apathetic.  What was Yonah feeling before, during,and after being delivered by the fish? When thrown overboard, did he welcome death, as suggested by R. Natan in the Mekhilta?  When swallowed, did he view the fish as an instrument of salvation or of further punishment? Did the ordeal lead him to repent?  Compare R"E of Beaugency who suggests that Yonah was thankful rather than frightened within the fish, with Abarbanel who assumes that Yonah's terrifying entrapment led him to repent. For discussion, see <a href="Yonah's Prayer" data-aht="page">Yonah's Prayer</a></p> | ||
</subcategory> | </subcategory> | ||
− | <subcategory>Who witnessed the miracle?Both Romano and Asarfati portray bystanders witnessing the miracle (either the sailors or people on shore), while Brueghel's painting implies that there were none. The text is silent on the matter but the suggestion might help answer an open question in the text: what led the people of Nineveh to believe in the words of a foreign, unknown prophet?  R"Y Kimchi suggests that the boatmen had arrived in Nineveh and shared the miracles at sea, | + | <subcategory>Who witnessed the miracle? |
+ | <p>Both Romano and Asarfati portray bystanders witnessing the miracle (either the sailors or people on shore), while Brueghel's painting implies that there were none. The text is silent on the matter but the suggestion might help answer an open question in the text: what led the people of Nineveh to believe in the words of a foreign, unknown prophet?  R"Y Kimchi suggests that the boatmen had arrived in Nineveh and shared the miracles at sea,</p> | ||
</subcategory> | </subcategory> | ||
<subcategory>The Fish | <subcategory>The Fish | ||
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<subcategory>Impact on Sailors | <subcategory>Impact on Sailors | ||
</subcategory> | </subcategory> | ||
− | <subcategory>Where did Yonah Arrive?In Brueghel's painting, Yonah is expelled onto a deserted  shore, while in Romano's drawing, he lands in an inhabited area.  where did the fish leave Yonah?  Did it bring him all the way to Nineveh or to elsewhere? | + | <subcategory>Where did Yonah Arrive? |
− | </subcategory> | + | <p>In Brueghel's painting, Yonah is expelled onto a deserted  shore, while in Romano's drawing, he lands in an inhabited area.  where did the fish leave Yonah?  Did it bring him all the way to Nineveh or to elsewhere? |
+ | </subcategory></p> | ||
</category> | </category> | ||
</page> | </page> | ||
</aht-xml> | </aht-xml> |
Version as of 07:52, 4 September 2020
Fatal 76: Opening and ending tag mismatch: p line 35 and subcategory
35: <p>In Brueghel's painting, Yonah is expelled onto a deserted  shore, while in Romano's drawing, he lands in an inhabited area.  where did the fish leave Yonah?  Did it bring him all the way to Nineveh or to elsewhere?
36: </subcategory></p>