Haggadah:Shefokh Chamatekha in Art/0

Shefokh Chamatekha in Art

Introduction

At the Seder, immediately before reciting the second part of the Hallel, several verses¹ are read which call for Divine revenge on the nations which are the enemies of Israel. The first of these begins with, "Pour out Your wrath upon the nations" ("שְׁפֹךְ חֲמָתְךָ אֶל הַגּוֹיִם"). The three Haggadot shown here, the Washington Haggadah,² the Sassoon Haggadah,³ and the Mantua Haggadah,⁴all illustrate this passage. While both the Washington and Mantua Haggadot share similar iconography and connect "שְׁפֹךְ חֲמָתְךָ" to Messianic times, the Sassoon Haggadah illustrates a more literal reading of the passage, depicting a cup being poured over several figures' heads. The artists' choices suggest both different interpretations of this section of the Haggadah and varying customs related to it.

Contrasting Images

Washington Haggadah

The upper two thirds of the page are devoted to the ornamented "שְׁפֹךְ" and the continuation of the verse, while the bottom contains a rich scene of the coming of Mashiach, or perhaps Eliyahu the Prophet. The harbinger of redemption is depicted carrying an entire family on his ass as he approaches the city. One of the riders lifts a cup in her hand. The others grasp tightly to one another while a child is humorously depicted catching a ride by holding the donkey's tail. In the left foreground, a man stands by his open door, greeting the redeemer with a raised cup.

Sassoon Haggadah

This Haggadah, like the others here, decorates the word "שְׁפֹךְ" with large gold lettering. Here, though, the accompanying illustration surrounds the word "שְׁפֹךְ" rather than being in a separate scene below. An angel is depicted dumping a fiery substance on several figures, presumably representatives of the nations mentioned in the verse "who do not know [Hashem]". Each of these figures holds in a cup in their hands, ready to drink of the curse.⁵

Mantua Haggadah

In this Haggadah, next to the verses calling for Hashem to pour out his anger, there is an image of an armored man wielding a spear. As in the Washington Haggadah, under the verses there is a scene of the Mashiach's arrival. Here, he is depicted riding a donkey, while Eliyahu blows a shofar behind him. They approach a gated house but nobody comes out to greet them.

Relationship to the Text of the Haggadah

The artists' choices reflect certain ambiguities in the text of the Haggadah and different possible interpretive stances:

The Nations

In the Mantua Haggadah the lone representative of the evil nations is dressed in armor and holds a spear. In the Sassoon Haggadah, in contrast, a group of people appear, each one holding a cup.⁶ What made each artist depict the figures as he did? The Mantua Haggadah would appear to be supplying the reason behind the call for vengeance; these peoples not only "do not know Hashem", but also have tried to destroy the Nation of Israel.⁷ The Sassoon Haggadah might instead be associating this verse with one of the reasons given for drinking four cups of wine on Pesach,⁸ that they represent the four cups of misfortune that Hashem is to give the enemy nations to drink.⁹

Messianic Times?

Both the Washington and Mantua Haggadot associate the passage with the Messianic era, while the Sassoon Haggadah does not make an explicit connection. Is there an intrinsic relationship between the verses of "שְׁפֹךְ חֲמָתְךָ" and the coming of Mashiach? Since many descriptions of the End of Days include an aspect of judgment on the nations,¹⁰ it is natural to coonect the vengeance mentioned in this verse with Messianic times. On the other hand, the verse is really no more than a call for punishment, and the request (and its fulfillment) could refer to any period. In fact, R. Yehuda b. YakarHaggadah Shel PesachAbout R. Yehuda b. Yakar claims that the passage is related to the time of the Exodus; the nations referred to are the Egyptians who did not recognize Hashem's hand in Egypt and continued to curse Him as they chased the Israelites.¹¹

Opening the Door

Although each of the Washington and Mantua Haggadot depict the arrival of the Mashiach, only in the former does a person emerge from his door to greet him, holding a cup of wine. The difference might reflect varying customs regarding the pouring of the "Cup of Eliyahu" and opening the door at this stage of the seder. Although the custom of leaving the door ajar on the evening of the Seder dates to Geonic times, it was not always associated with "שְׁפֹךְ חֲמָתְךָ".‎¹² In fact, the Washington Haggadah is one of the earliest sources for the association! Similarly, the Cup of Eliyahu might have originally served a practical function, only later to be associated with the coming of Eliyahu and the passage of "שְׁפֹךְ חֲמָתְךָ".‎¹³

The Verses

While the Washington Haggadah contains but one verse, from Tehillim 79:6, the Mantua Haggadah adds two more verses, one from Tehillim 69:25 and the other from Eikhah 3:66.¹⁴ The differences reflect varying customs as to what is said at this point. The earliest custom seems to have been to say just one verse, but others were added in different communities over the years. The custom of most Ashkenazic communities is to read four verses (Tehillim 79:6-7, 69:25, and Eikhah 3:66), but some Northern French Haggadot contain as many as twelve.

¹ See below that there are varying customs as to the number and identity of these verses.

² The Haggadah is signed by Joel ben Simon, also known as Feibush Ashkenazi, a scribe and illuminator active in Germany and Italy in the second half of the 15th century. Simon writes that the Haggadah was completed on the 25th of Shevat, 5238, or January 29, 1478. It was given to the United States Library of Congress in 1916 and is known as the Washington Haggadah in honor of the US capital.

³ This Haggadah dates to the first half of the 14th century and is of French-Provencal origin. It is part of the Israel Museum collection.

⁴ This Haggadah is one of the earliest illustrated printed editions, published in 1560 and again in 1568. It reproduced the text of the Prague Haggadah of 1526, but introduced new illustrations and marginal decorations reflecting Italian styles. It is housed in the Israel Museum.

⁵ The bottom half of the page, not shown, contains the rest of this single verse from Tehillim and then proceeds to the chapters of Hallel. A marginal note, though, adds several more verses calling for vengeance on the nations.

⁶ The Washington Haggadah does not depict the nations or allude to their punishment at all. It perhaps preferred to highlight the positive aspects of the coming of the Mashiach rather than the punitive.

⁷ The absence of this explanation in the verse itself is probably why many other Haggadot include the following verse in Tehillim, "כִּי אָכַל אֶת יַעֲקֹב וְאֶת נָוֵהוּ הֵשַׁמּוּ". See above, though, that not all commentators emphasize this militant aspect as the reason for the call for punishment, instead drawing on what the initial verse highlights, that the other nations did not recognize Hashem.

⁸ See Yerushalmi Pesachim 10:1Pesachim 10:1About the Yerushalmi.

⁹ See the Orchot ChayyimSeder Leil PesachAbout Orchot Chayyim, RitvaHaggadah Shel PesachAbout R. Yom Tov b. Ashbel, and AvudrahamHaggadah Shel PesachAbout R. David Avudraham who all suggest that, for this very reason, this passage is said immediately following the pouring of the fourth cup.

¹⁰ See, for example, Yirmeyahu 23:20 and Yechezkel 38:16-18.

¹¹ If so, their punishment was meted out soon after, in Yam Suf, and not during the End of Days.

¹² R. Mattityah GaonR. Mattityah GaonAbout R. Mattityah Gaon (9th century) relates the custom to the inviting of the poor to join in the Seder, making no connection at all to Eliyahu. R. Nissim GaonR. Nissim GaonAbout R. Nissim Gaon (as quoted by the Rokeach) connects it to the coming of Eliyahu, but not to "שְׁפֹךְ חֲמָתְך", noting that Pesach, being a "לֵיל שִׁמֻּרִים" is the time of redemption and thus one should leave the door open (throughout the Seder) to be ready to greet the redeemer. Later this reasoning became associated with opening the door specifically at "שְׁפֹךְ חֲמָתְך". See, for example, R. Moshe IsserlesHaggahot HaRamah Orach Chayyim 480About R. Moshe Isserles who states that we open the door at this point so as to merit the coming of the Mashiach and punishing of our enemies. In his Haggadah Sheleimah, R. Kasher brings other possible reasons for opening the door at "שְׁפֹךְ חֲמָתְךָ", pointing to "some who say" that the custom actually started in an era of persecution, when Seder participants opened the door to check for informers before calling for calamities to befall their enemies.

¹³ The cup is not mentioned at all amongst Geonim or Rishonim and first appears in halakhic literature in the fifteenth century. One of the earliest to mention it is R. Zeligman BengaPesachim 1:11About Rabbi Zeligman Benga in his comments on Pesachim. He writes that he does not know the origin of the custom, but suggests that perhaps wine is poured for Eliyahu, since if he comes to the seder, he too will need a cup. He neither mentions when this cup is poured, nor does he connect it to the passage of "שְׁפֹךְ חֲמָתְךָ". Others suggest that the cup had halakhic significance. R. Chaim BenvenistePesach Meuvin 182About Rabbi Chaim Benveniste connects it to the law that one is not allowed to drink from a cup which has wine remnants in it (כוס פגום). He explains that people, thus, had a custom to pour their leftovers into an empty cup in the middle of the table, which they called "the cup of Eliyahu". The Vilna Gaon, in contrast, connects it to the debate regarding whether or not to drink a fifth cup, suggesting that people poured one from doubt and declared that Eliyahu would act as a decisor in the debate when he arrived.

¹⁴ The Sassoon Haggadah has only a single verse like the Washington Haggadah, but in the marginal notes adds Tehillim 69:25, 35:6, 69:23 and 79:7.