Difference between revisions of "Literary Devices – Bereshit 27/0"

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<p><a href="https://mg.alhatorah.org/TanakhLab/Bereshit/27">Tanakh Lab</a>&#160;indicates that the most frequent words in Bereshit 27 are בֵּן ,אָב, ברך and אָח, reflecting the narrative’s focus on the complex family dynamics surrounding the bestowal of blessing.&#160;&#160;</p>
 
<p><a href="https://mg.alhatorah.org/TanakhLab/Bereshit/27">Tanakh Lab</a>&#160;indicates that the most frequent words in Bereshit 27 are בֵּן ,אָב, ברך and אָח, reflecting the narrative’s focus on the complex family dynamics surrounding the bestowal of blessing.&#160;&#160;</p>
 
<subcategory>Blessing
 
<subcategory>Blessing
<p>Not surprisingly, given the focus of the chapter, the root <span style="color: #ff00ff;"><b>"ברך"</b></span> and noun <b><span style="color: #ff00ff;">"ברכה"</span></b> together are among the most prevalent words in the chapter.<fn>The verb appears 17 times and the noun six times.</fn></p>
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<ul>
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<li>Not surprisingly, given the focus of the chapter, the root <span style="color: #ff00ff;"><b>"ברך"</b></span> and noun <b><span style="color: #ff00ff;">"ברכה"</span></b> together are among the most prevalent words in the chapter.<fn>The verb appears 17 times and the noun six times.</fn> </li>
 +
<li>See I. Yaniv's article <a href="http://www.jstor.org/stable/23504959">מלים מנחות במעגל חייו של יעקב</a> which traces the roles of blessings throughout Yaakov's life, from this chapter through to his blessing of his children in Bereshit 49.</li>
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</ul>
 
</subcategory>
 
</subcategory>
 
<subcategory name="Relationships">
 
<subcategory name="Relationships">
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</category>
 
</category>
 
<category>Parallelism
 
<category>Parallelism
<p>Biblical parallelism refers to the literary structure in which adjacent phrases parallel each other. An example of parallelism is found in Yitzchak’s blessing of Yaakov:<fn>For more information about the nature of Biblical parallelism, see Dr. Mayer I. Gruber’s article&#160;<a href="https://www.jstor.org/stable/20689374?read-now=1&amp;seq=1#page_scan_tab_contents">The Meaning of Biblical Parallelism: A Biblical Perspective</a> and Dr. Adele Berlin’s <a href="https://www.jstor.org/stable/23503350?searchText=&amp;searchUri=&amp;ab_segments=&amp;searchKey=&amp;refreqid=fastly-default%3A597a674cac61fd731f453302a133d0b9">Grammatical Aspects of Biblical Parallelism</a>. Other resources (not available online) are Dr. Robert Alter’s <i>The Art of Biblical Poetry</i> pp. 3-61, Dr. Adele Berlin’s <i>The Dynamics of Biblical Parallelism</i>, and Dr. James Kugel’s <i>The Idea of Biblical Poetry: Parallelism and Its History</i>.</fn></p>
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<p>Biblical parallelism refers to the literary structure in which adjacent phrases parallel each other. An example of parallelism is found in Yitzchak’s blessing of Yaakov:<fn>For more information about the nature of Biblical parallelism, see Dr. Mayer I. Gruber’s article&#160;<a href="https://www.jstor.org/stable/20689374?read-now=1&amp;seq=1#page_scan_tab_contents">The Meaning of Biblical Parallelism: A Biblical Perspective</a> and Dr. Adele Berlin’s <a href="https://www.jstor.org/stable/23503350?searchText=&amp;searchUri=&amp;ab_segments=&amp;searchKey=&amp;refreqid=fastly-default%3A597a674cac61fd731f453302a133d0b9">Grammatical Aspects of Biblical Parallelism</a>. Other resources (not available online) are Dr. Robert Alter’s <i>The Art of Biblical Poetry</i> pp. 3-61, Dr. Adele Berlin’s <i>The Dynamics of Biblical Parallelism</i>, and Dr. James Kugel’s <i>The Idea of Biblical Poetry: Parallelism and Its History</i>.</fn></p><ul>
<ul>
 
 
<li>וְיִתֶּן לְךָ הָאֱלֹהִים מִטַּל הַשָּׁמַיִם / וּמִשְׁמַנֵּי הָאָרֶץ / וְרֹב דָּגָן וְתִירֹשׁ.</li>
 
<li>וְיִתֶּן לְךָ הָאֱלֹהִים מִטַּל הַשָּׁמַיִם / וּמִשְׁמַנֵּי הָאָרֶץ / וְרֹב דָּגָן וְתִירֹשׁ.</li>
 
<li>יַעַבְדוּךָ עַמִּים וְיִשְׁתַּחֲווּ לְךָ לְאֻמִּים / הֱוֵה גְבִיר לְאַחֶיךָ וְיִשְׁתַּחֲווּ לְךָ בְּנֵי אִמֶּךָ</li>
 
<li>יַעַבְדוּךָ עַמִּים וְיִשְׁתַּחֲווּ לְךָ לְאֻמִּים / הֱוֵה גְבִיר לְאַחֶיךָ וְיִשְׁתַּחֲווּ לְךָ בְּנֵי אִמֶּךָ</li>
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</category>
 
</category>
 
<category>Consecutive Verbs
 
<category>Consecutive Verbs
<p>When Tanakh uses several verbs in succession, it might intend to highlight speed and energy of action.</p>
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<p>When Tanakh uses several verbs in succession, it might intend to highlight speed and energy of action.</p><ul>
<ul>
 
 
<li>This convention appears in 27:14 (“He went, took, and brought them for his mother”), to describe Yaakov’s alacrity in carrying out his mother’s instructions. It calls to mind the string of verbs in 25:34 with which Esav consummates the exchange of the lentil stew for the birthright.</li>
 
<li>This convention appears in 27:14 (“He went, took, and brought them for his mother”), to describe Yaakov’s alacrity in carrying out his mother’s instructions. It calls to mind the string of verbs in 25:34 with which Esav consummates the exchange of the lentil stew for the birthright.</li>
 
</ul>
 
</ul>

Version as of 06:58, 7 July 2023

Literary Devices – Bereshit 27

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Key Words

Tanakh Lab indicates that the most frequent words in Bereshit 27 are בֵּן ,אָב, ברך and אָח, reflecting the narrative’s focus on the complex family dynamics surrounding the bestowal of blessing.  

Blessing

  • Not surprisingly, given the focus of the chapter, the root "ברך" and noun "ברכה" together are among the most prevalent words in the chapter.1
  • See I. Yaniv's article מלים מנחות במעגל חייו של יעקב which traces the roles of blessings throughout Yaakov's life, from this chapter through to his blessing of his children in Bereshit 49.

Family Relationships

The word "בֵּן" (son) appears 25 times, "‎אָב‎" (father) 24 times and "אָח‎" (brother) 23 times, highlighting the family relationships around which the story revolves. Interestingly, despite Rivka's masterminding the drama, the noun "אֵם" (mother) appears only five times in the narrative.  Perhaps this reflects her subtle, hidden involvement which takes place only behind the scenes.

Food

Wordplay

The chapter contains several examples of wordplay surrounding the names of the brothers:

  • Da'at Mikra3 notes that the description of Esav as an אִישׁ שָׂעִר (Bereshit 27:11)4 foreshadows his possession of the land of Seir (שעיר) and serves as a play on words.
  • Esav describes Yaakov’s deceit through a play on his name:"הֲכִי קָרָא שְׁמוֹ יַעֲקֹב וַיַּעְקְבֵנִי זֶה פַעֲמַיִם" (Bereshit 27:36).5  

Parallelism

Biblical parallelism refers to the literary structure in which adjacent phrases parallel each other. An example of parallelism is found in Yitzchak’s blessing of Yaakov:6

  • וְיִתֶּן לְךָ הָאֱלֹהִים מִטַּל הַשָּׁמַיִם / וּמִשְׁמַנֵּי הָאָרֶץ / וְרֹב דָּגָן וְתִירֹשׁ.
  • יַעַבְדוּךָ עַמִּים וְיִשְׁתַּחֲווּ לְךָ לְאֻמִּים / הֱוֵה גְבִיר לְאַחֶיךָ וְיִשְׁתַּחֲווּ לְךָ בְּנֵי אִמֶּךָ
  • אֹרְרֶיךָ אָרוּר / וּמְבָרְכֶיךָ בָּרוּךְ

Consecutive Verbs

When Tanakh uses several verbs in succession, it might intend to highlight speed and energy of action.

  • This convention appears in 27:14 (“He went, took, and brought them for his mother”), to describe Yaakov’s alacrity in carrying out his mother’s instructions. It calls to mind the string of verbs in 25:34 with which Esav consummates the exchange of the lentil stew for the birthright.

Characterization

Tanakh rarely describes a personality outright; instead, it paints character through subtle hints.

Esav

Robert Alter, in his commentary on Bereshit, points out that Rivka’s knowledge of Esav’s plot against Yaakov (27:42), despite the verses recording only his internal thoughts on the matter, indicates that he was unable to refrain from spilling his secret.  This hints to his impulsive nature.

Articles

See Robert Alter’s article Character in the Bible, as well as his chapter on characterization in The Art of Biblical Narrative (New York, 1981):114-130, for exploration of methods of characterization in Tanakh.