Literary Devices – Bereshit 41

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Structure

Three Part Structure – N. Leibowitz notes that Yosef's interpretation of Paroh's dream in verses 25-36 can be divided into three sections, each prefaced by a declaration that attributes the upcoming events to the hand of God:

Verse 25: Attribution to God
Verses 26-27: Numerical Interpretation (sevens, doubled dream)
Verse 28: Attribution to God
Verses 29-31: Content Interpretation (years of plenty / famine)
Verse 32: Attribution to God
Verses 33-36: Advice to Paroh

Articles – See Nechama Leibowitz, עיונים בספר בראשית (Jerusalem, 1992): 310-312, who analyzes this structure, noting how Yosef's anchoring of his whole speech with references to Hashem highlights how even in the foreign society of Egypt, Yosef managed to continuously see the hand of God.

Binary Structure

In his commentary on Bereshit,¹ Prof. Robert Alter points out that Yosef’s story is structured as a series of doublets (as was Yaakov’s story; see Literary Devices – Bereshit 32). Yosef and Paroh both have double dreams, the baker and butler present their dreams together, Yosef is thrown into a pit and then into prison, the brothers make two trips to Egypt, and their descent to Egypt parallels Yosef’s descent.

Parallels and Repetition

Chapter 41's inclusion of both the original account of Paroh's dream (in the narrative voice) and Paroh's own retelling is an example of Tanakh's using the technique of repetition to get across certain messages. Paroh’s retelling closely parallels the narrative description, but the few changes might give the reader insight into Paroh's emotional state of mind in reaction to the dreams.

Tools – Use the Tanakh Lab to compare the two accounts.
Sources – Compare how Tanchuma, Ibn Ezra, and Netziv understand the differences and what they reveal about Paroh.
Articles – See Yosef: Dreamer and Interpreter by R. Tamir Granot for analysis of the differences and how they relate to the development of plot in this chapter.

Key Words

"פקד"

Though the root "פקד" appears only twice in the chapter, see the concordance that, with one exception, all appearances of the root (and the related noun פקיד) in Sefer Bereshit are found in the Yosef narratives,² suggesting that the word might play an important role.
Articles – Professor Yonatan Grossman, in his article Leitwort (III) discusses the repetition of the root, noting that it takes various forms with different meanings:: “פקד” (to take account or remember), “הפקיד” (appoint), and “פקיד” (agent) . The various usages and different contexts³ underscore the theme of dual causality that is central to the story of Yosef, playing with the question: “Who is the ruler? Who is the agent?” (God or man?)

Wordplay

Da'at Mikra points out that the narrative section about Pharaoh’s dreams begins with the phrase “וַיְהִי מִקֵּץ” (verse 1) and ends with the phrase “וַיִּיקַץ פַּרְעֹה” (verse 7), forming a play on sounds.
See G. Rendsburg, Alliteration in the Book of Genesis, for discussion of alliteration and wordplay in Bereshit, with many examples.

Symbolism

Clothing

Clothes are an important symbol in the Yosef story, with their bestowal and removal perhaps reflecting a change in status. At the beginning of the story, Yosef is given a coat that represents Yaakov’s love, but his brothers later strip him of it. In Chapter 39, Yosef again loses his clothes when Potiphar’s wife pulls them off of him. He is given new clothes when he is taken from prison to appear before Paroh in this chapter, and again when he becomes Paroh’s viceroy. He later gives gifts of clothing to his brothers.
Articles – For analysis of the meaning of clothing in the Yosef story, see Joseph and the Imagery of Clothing by Samuel Borodach, who suggests that in these stories clothing might reflect not just a change in status but also a change in character.

Pits

Pits are symbolic in the story of Yosef, as are descents and ascents in general. Yosef is thrown into a pit by his brothers, then rises to a position of power in Potiphar's house. He then descends again as he is thrown into jail (referred to as a pit in Bereshit 40:15) by Potiphar, only to be removed from the pit and rise gain and become viceroy to Paroh in this chapter.
Articles

See The Prince and the Prison by R. Chanoch Waxman, who suggests that Yosef’s series of descents reflect the development of his character from a somewhat arrogant leader into a humble one.⁴
See Prof. Robert Alter’s article Character in the Bible, as well as his chapter on characterization in The Art of Biblical Narrative, for exploration of how character is developed in Tanakh.

Character Titles

Hashem

Yosef adopts the general name “Elokim” when speaking about Hashem (verses 16, 25, 28, 31), which Pharaoh adopts as well in his response (verses 38, 39). This is appropriate given the foreign context in which Yosef is speaking.

Yosef

Yosef – This is the expected and default name for Yosef throughout the chapter.
נַעַר עִבְרִי עֶבֶד לְשַׂר הַטַּבָּחִים – The butler refers to Yosef as “a young Hebrew man, slave to the chief executioner.” This appellation has a derogatory tone, echoing Potiphar’s wife’s use of phrase “the Hebrew slave” (39:17). This emphasizes the unfriendliness of Egyptian culture to foreigners, as well as the low social status of Yosef.
צָפְנַת פַּעְנֵחַ – This is the name given by Paroh to Yosef (verse 45). Interestingly Yosef is never referred to by it again.

Consecutive Verbs

Often, when Tanakh uses a string of consecutive verbs, it connotes speed and energy of action. Such is the case in verse 14, which describes Yosef’s summons from jail:

"וַיִּשְׁלַח פַּרְעֹה וַיִּקְרָא... וַיְרִיצֻהוּ... וַיְגַלַּח, וַיְחַלֵּף... וַיָּבֹא אֶל פַּרְעֹה"

⁴ Yosef begins, in Chapter 37, as his father’s favored son, or “headman”, and is then thrown into a pit by his brothers. He then becomes Potiphar’s headman, a loss in status from his first position as favored among brothers, and is ultimately thrown by Potiphar into the pit of prison. He then becomes the headman of prison, yet another degradation in status from his first two “headman” positions.
These three episodes portray a development in Yosef’s humility and leadership. In Chapter 37 he speaks arrogantly to his brothers of his dreams. In Potiphar’s house, though he demonstrates moral fiber by rejecting the advances of Mrs. Potiphar and mentions God once in that context, he also twice alludes to his own exalted position, retaining a measure of arrogance. Finally, in prison, he appears genuinely concerned with the emotional well being of the butler and baker (Bereshit 40: 7) and mentions God without mentioning his own talents. He emerges from the pit in Chapter 41, having finally morphed into a humble leader.