Difference between revisions of "Michal and David's Argument/2"
m |
|||
Line 28: | Line 28: | ||
<category name="Marital Relations"> | <category name="Marital Relations"> | ||
Anguish Regarding Marital Relations | Anguish Regarding Marital Relations | ||
− | <p>Michal's outburst related to her personal, family life with David.  Seeing him dance with the maidservants highlighted to her the | + | <p>Michal's outburst related to her personal, family life with David.  Seeing him dance with the maidservants highlighted to her the problematics of their relationship.</p> |
<mekorot>modern scholars<fn>See for example, R. Alter, The Art of Biblical Narrative (New York, 1981): 113-127, and R"A Bazak, <a href="http://etzion.org.il/he/%D7%A4%D7%A8%D7%A7-%D7%95-%D7%94%D7%A2%D7%9C%D7%90%D7%AA-%D7%94%D7%90%D7%A8%D7%95%D7%9F-%D7%95%D7%A6%D7%97%D7%95%D7%A7%D7%94-%D7%A9%D7%9C-%D7%9E%D7%99%D7%9B%D7%9C">"העלאת הארון וצחוקה של מיכל"</a>.</fn></mekorot> | <mekorot>modern scholars<fn>See for example, R. Alter, The Art of Biblical Narrative (New York, 1981): 113-127, and R"A Bazak, <a href="http://etzion.org.il/he/%D7%A4%D7%A8%D7%A7-%D7%95-%D7%94%D7%A2%D7%9C%D7%90%D7%AA-%D7%94%D7%90%D7%A8%D7%95%D7%9F-%D7%95%D7%A6%D7%97%D7%95%D7%A7%D7%94-%D7%A9%D7%9C-%D7%9E%D7%99%D7%9B%D7%9C">"העלאת הארון וצחוקה של מיכל"</a>.</fn></mekorot> | ||
<point><b>Michal's love of David</b> – Michal is introduced to the reader in <a href="ShemuelI18-20-28" data-aht="source">Shemuel I 18</a> with the words "וַתֶּאֱהַב מִיכַל בַּת שָׁאוּל אֶת דָּוִד".  The scene ends as it begins, with the fact of her love: "וּמִיכַל בַּת שָׁאוּל אֲהֵבַתְהוּ".  As Michal is the only woman in Tanakh (excepting the beloved in Shir HaShirim) explicitly mentioned to have loved a man, the emotion is all the more stark.</point> | <point><b>Michal's love of David</b> – Michal is introduced to the reader in <a href="ShemuelI18-20-28" data-aht="source">Shemuel I 18</a> with the words "וַתֶּאֱהַב מִיכַל בַּת שָׁאוּל אֶת דָּוִד".  The scene ends as it begins, with the fact of her love: "וּמִיכַל בַּת שָׁאוּל אֲהֵבַתְהוּ".  As Michal is the only woman in Tanakh (excepting the beloved in Shir HaShirim) explicitly mentioned to have loved a man, the emotion is all the more stark.</point> | ||
<point><b>David's love for Michal</b> – Though Shemuel I 18 does not reveal David's feelings regarding Michal,<fn>This silence alone, however, would not be enough to suggest that David did not love Michal, as it is the norm for Tanakh to be silent about the emotions of its characters.</fn> his motive for taking her as a wife is explicit: "וַיִּשַׁר הַדָּבָר בְּעֵינֵי דָוִד לְהִתְחַתֵּן בַּמֶּלֶךְ".  The contrast between the couple is clear: while Michal desires to marry David because she loves him, David desires Michal because she is an instrument which will allow him to marry into kingship.<fn>Both times that Michal is mentioned in the unit she is referred to as "בת שאול", perhaps because it was her position as Shaul's daughter that David coveted.</fn></point> | <point><b>David's love for Michal</b> – Though Shemuel I 18 does not reveal David's feelings regarding Michal,<fn>This silence alone, however, would not be enough to suggest that David did not love Michal, as it is the norm for Tanakh to be silent about the emotions of its characters.</fn> his motive for taking her as a wife is explicit: "וַיִּשַׁר הַדָּבָר בְּעֵינֵי דָוִד לְהִתְחַתֵּן בַּמֶּלֶךְ".  The contrast between the couple is clear: while Michal desires to marry David because she loves him, David desires Michal because she is an instrument which will allow him to marry into kingship.<fn>Both times that Michal is mentioned in the unit she is referred to as "בת שאול", perhaps because it was her position as Shaul's daughter that David coveted.</fn></point> | ||
<point><b>Michal saves David</b> – When Shaul seeks to kill David in his home in <a href="ShemuelI19-11-17" data-aht="source">Shemuel I 19</a>, Michal sides with her husband,<fn>It is perhaps for this reason that this passage opens by referring to Michal not as "the daughter of Shaul" but as the "wife" of David.</fn> putting her love into action as she devises and executes a plan to save David.  David, too, replies with action as he "goes, flees, and escapes" – with not a word to the wife he is leaving behind.<fn>Again, however, it should be noted, that this silence is quite expected in Tanakh which does not normally provide insights into the private family lives of its protagonists.</fn>  Again, while Michal cares for David, he cares for himself.  Michal is simply the instrument which will enable him to become king.</point> | <point><b>Michal saves David</b> – When Shaul seeks to kill David in his home in <a href="ShemuelI19-11-17" data-aht="source">Shemuel I 19</a>, Michal sides with her husband,<fn>It is perhaps for this reason that this passage opens by referring to Michal not as "the daughter of Shaul" but as the "wife" of David.</fn> putting her love into action as she devises and executes a plan to save David.  David, too, replies with action as he "goes, flees, and escapes" – with not a word to the wife he is leaving behind.<fn>Again, however, it should be noted, that this silence is quite expected in Tanakh which does not normally provide insights into the private family lives of its protagonists.</fn>  Again, while Michal cares for David, he cares for himself.  Michal is simply the instrument which will enable him to become king.</point> | ||
− | <point><b>David remarries</b> – The next mention of Michal is in <a href="ShemuelI25-42-44" data-aht="source">Shemuel I 25 | + | <point><b>David remarries</b> – The next mention of Michal is in <a href="ShemuelI25-42-44" data-aht="source">Shemuel I 25</a>.  The narrator shares that while on the run, David took two new wives, Avigayil and Achinoam.  The very next verse reveals that Michal, on the other hand, was given away by Shaul to Palti b. Layish.  The juxtaposition of the two facts sends the message that, in David's eyes, Michal was replaceable.</point> |
<point><b>"תְּנָה אֶת אִשְׁתִּי אֶת מִיכַל"</b> – Though one might like to read David's ultimatum to Avner, that he would only agree to an alliance if Avner returned Michal, as a sign of David's love and devotion, it is more probable that this too was a political ploy.  David needed Michal to demonstrate his rights to the throne.  If he was related through marriage to Shaul, he need not be viewed as a usurper.<fn>See Malbim who states, "שלא ידמה כעבד מורד באדוניו... רק כתופס מלכות על פי נביא... רצה שישיב לו את מיכל, שמצד זה הוא חתן המלך אשר לפניו, ויש לו זכות במלוכה גם מצד שאול"</fn></point> | <point><b>"תְּנָה אֶת אִשְׁתִּי אֶת מִיכַל"</b> – Though one might like to read David's ultimatum to Avner, that he would only agree to an alliance if Avner returned Michal, as a sign of David's love and devotion, it is more probable that this too was a political ploy.  David needed Michal to demonstrate his rights to the throne.  If he was related through marriage to Shaul, he need not be viewed as a usurper.<fn>See Malbim who states, "שלא ידמה כעבד מורד באדוניו... רק כתופס מלכות על פי נביא... רצה שישיב לו את מיכל, שמצד זה הוא חתן המלך אשר לפניו, ויש לו זכות במלוכה גם מצד שאול"</fn></point> | ||
<point><b>"אֲשֶׁר נִגְלָה הַיּוֹם לְעֵינֵי אַמְהוֹת עֲבָדָיו"</b> – In these words, Michal ostensibly chastises David for his immodesty and lack of royal dignity.  In reality, though, she might simply be giving vent to her jealousy, born from years of neglect; David has revealed himself to other women, but never to her.<fn>R"A Bazak (see article cited above) suggests that the phrase "וּמִיכַל בַּת שָׁאוּל נִשְׁקְפָה <b>בְּעַד הַחַלּוֹן</b>" recalls the earlier "וַתֹּרֶד מִיכַל אֶת דָּוִד <b>בְּעַד הַחַלּוֹן</b>" of Chapter 18 to highlight how Michal's initial selfless love and commitment, marked by her lowering David out the window, has now turned to contempt, as she again looks out the window.  He also notes the parallel to Bereshit 26:8, "וַיַּשְׁקֵף אֲבִימֶלֶךְ מֶלֶךְ פְּלִשְׁתִּים <b>בְּעַד הַחַלּוֹן</b>".  Avimelekh looks out his window to see "יצְחָק מְצַחֵק אֵת רִבְקָה אִשְׁתּוֹ"</fn></point> | <point><b>"אֲשֶׁר נִגְלָה הַיּוֹם לְעֵינֵי אַמְהוֹת עֲבָדָיו"</b> – In these words, Michal ostensibly chastises David for his immodesty and lack of royal dignity.  In reality, though, she might simply be giving vent to her jealousy, born from years of neglect; David has revealed himself to other women, but never to her.<fn>R"A Bazak (see article cited above) suggests that the phrase "וּמִיכַל בַּת שָׁאוּל נִשְׁקְפָה <b>בְּעַד הַחַלּוֹן</b>" recalls the earlier "וַתֹּרֶד מִיכַל אֶת דָּוִד <b>בְּעַד הַחַלּוֹן</b>" of Chapter 18 to highlight how Michal's initial selfless love and commitment, marked by her lowering David out the window, has now turned to contempt, as she again looks out the window.  He also notes the parallel to Bereshit 26:8, "וַיַּשְׁקֵף אֲבִימֶלֶךְ מֶלֶךְ פְּלִשְׁתִּים <b>בְּעַד הַחַלּוֹן</b>".  Avimelekh looks out his window to see "יצְחָק מְצַחֵק אֵת רִבְקָה אִשְׁתּוֹ"</fn></point> | ||
<point><b>"God chose me over your father's house"</b> – David's reply insinuates that now that he has been chosen as king in his own right, with the House of Shaul rejected, Michal no longer held any political utility.   As such, he could consort with whomever he liked, even maidservants.</point> | <point><b>"God chose me over your father's house"</b> – David's reply insinuates that now that he has been chosen as king in his own right, with the House of Shaul rejected, Michal no longer held any political utility.   As such, he could consort with whomever he liked, even maidservants.</point> | ||
<point><b>Michal "bat Shaul"</b> – Michal might be referred to in this manner to highlight that for David, she had never been important except in her role as "the daughter of Shaul."</point> | <point><b>Michal "bat Shaul"</b> – Michal might be referred to in this manner to highlight that for David, she had never been important except in her role as "the daughter of Shaul."</point> | ||
− | <point><b>"לִפְנֵי י"י"</b> – This approach does not relate to David's two-fold mention that he is acting "before Hashem."  It might suggest that this is David's way of | + | <point><b>"לִפְנֵי י"י"</b> – This approach does not relate to David's two-fold mention that he is acting "before Hashem."  It might suggest that this is David's way of preempting any possible retort from Michal.  If he is dancing before God, how can she complain?</point> |
<point><b>No children</b> – It is possible that after this interchange, with their relationship beyond repair, David simply ceased to have conjugal relations with Michal, condemning her to barrenness.</point> | <point><b>No children</b> – It is possible that after this interchange, with their relationship beyond repair, David simply ceased to have conjugal relations with Michal, condemning her to barrenness.</point> | ||
<point><b>Portrait of David</b> – This approach views David negatively.  Though he might be a savvy politician, on the domestic front he is found lacking.  That said, it is common in Tanakh for marriages to be made for political purposes and as a means to form alliances, so David's relationship with Michal is not unusual.   Though Michal might have been hurt, an emotional bond in marriage should not necessarily have been expected.</point> | <point><b>Portrait of David</b> – This approach views David negatively.  Though he might be a savvy politician, on the domestic front he is found lacking.  That said, it is common in Tanakh for marriages to be made for political purposes and as a means to form alliances, so David's relationship with Michal is not unusual.   Though Michal might have been hurt, an emotional bond in marriage should not necessarily have been expected.</point> |
Version as of 22:06, 31 May 2017
Michal and David's Argument
Exegetical Approaches
Overview
Michal and David's quarrel has been understood as both an argument between king and queen, and as a marital spat between husband and wife. Most commentators suggest that David and Michal's dispute reflected their opposing attitudes towards the monarchy. While Michal felt that a king should be above the people, and that his dignity was paramount, David explained that an Israelite king can never forget that he always stands "in front of Hashem", the true King. As such, he is really on par with the rest of the nation and dancing alongside them is the true way to honor Hashem.
A second approach, in contrast, views Michal's anger as an expression of her frustration at being an unwanted wife, useful only as an object for political gain. Seeing David dance with other woman while she was neglected at home, was too much for her to bear. David's reply that he was chosen over her father simply reinforced the fact that he no longer needed Michal even for her political utility.
Dispute Over Monarchic Behavior
Michal and David's dispute stemmed from differing attitudes towards kingship.
Anguish Regarding Marital Relations
Michal's outburst related to her personal, family life with David. Seeing him dance with the maidservants highlighted to her the problematics of their relationship.