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<page type="Basic">
<h1>The Plague of צפרדע in Art</h1>
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<h1>Plague of צפרדע in Art</h1>
 
<p style="text-align:center"><a class="pdfleft" href="Media/2Shemot/07/Frogs Art All.pdf">Click to view/print a PDF version of this topic.</a></p>
 
  
 
<div class="overview">
 
<div class="overview">
 
<h2>Introduction</h2>
 
<h2>Introduction</h2>
<p>The two images shown here, from two 14th century Catalonian Haggadot, the Golden Haggadah
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<p>The two images shown here, from two 14th century Catalonian Haggadot, the Golden Haggadah <fn>This Haggadah is in the British Museum, and many of its folios can be viewed <a href="http://www.bl.uk/catalogues/illuminatedmanuscripts/record.asp?MSID=19108&amp;CollID=27&amp;NStart=27210">online</a>.  It received its name due to the extravagant use of gold-leaf in its pages of miniatures.  Its Sister Haggadah (the name was coined by Bezalel Narkiss because of its similarity to the Golden Haggadah) is also located in the British Museum and pages from it can be accessed <a href="http://www.bl.uk/catalogues/illuminatedmanuscripts/record.asp?MSID=19290&amp;CollID=96&amp;NStart=2884">online</a>.</fn> and the Rylands Haggadah<fn>This Haggadah is housed in the John Rylands University Library at the University of Manchester and can be viewed <a href="http://enriqueta.man.ac.uk/luna/servlet/view/search;jsessionid=1D0CE28E87438574844645CC2AF8DA9C?QuickSearchA=QuickSearchA&amp;q=haggadah&amp;sort=Reference_Number%2CPage%2CCurrent_Repository&amp;search=Search">online</a>.  This Haggadah also has a Brother Haggadah, similar in style and iconography, housed in the British Museum.  Many of its folios can be viewed <a href="http://www.bl.uk/catalogues/illuminatedmanuscripts/record.asp?MSID=19258&amp;CollID=96&amp;NStart=1404">online</a>.</fn>, both depict the plague of frogs (Shemot 7:26-8:11). Though at first glance the images are somewhat straightforward and simple, the artists' differing portrayals raise questions about the nature of the plague, how and by whom it was brought, and for what purpose.<fn>Neither artist's identity is known, and it is also uncertain whether they were Jewish or Christian.  For more on these Haggadot, see <a href="Despoiling Egypt in Art" data-aht="page">Despoiling Egypt in Art</a>.</fn></p></div>
<fn>This Haggadah is in the British Museum, and many of its folios can be viewed <a href="http://www.bl.uk/catalogues/illuminatedmanuscripts/record.asp?MSID=19108&amp;CollID=27&amp;NStart=27210" rel="external">online</a>.  It received its name due to the extravagant use of gold-leaf in its pages of miniatures.  Its Sister Haggadah (the name was coined by Bezalel Narkiss because of its similarity to the Golden Haggadah) is also located in the British Museum and pages from it can be accessed <a href="http://www.bl.uk/catalogues/illuminatedmanuscripts/record.asp?MSID=19290&amp;CollID=96&amp;NStart=2884" rel="external">online</a>.</fn> and the Rylands Haggadah<fn>This Haggadah is housed in the John Rylands University Library at the University of Manchester and can be viewed <a href="http://enriqueta.man.ac.uk/luna/servlet/view/search;jsessionid=1D0CE28E87438574844645CC2AF8DA9C?QuickSearchA=QuickSearchA&amp;q=haggadah&amp;sort=Reference_Number%2CPage%2CCurrent_Repository&amp;search=Search" rel="external">online</a>.  This Haggadah also has a Brother Haggadah, similar in style and iconography, housed in the British Museum.  Many of its folios can be viewed <a href= "http://www.bl.uk/catalogues/illuminatedmanuscripts/record.asp?MSID=19258&amp;CollID=96&amp;NStart=1404" rel="external">online</a>.</fn>, both depict the plague of frogs (Shemot 7:26-8:11). Though at first glance the images are somewhat straightforward and simple, the artists' differing portrayals raise questions about the nature of the plague, how and by whom it was brought, and for what purpose.<fn>Neither artist's identity is known, and it is also uncertain whether they were Jewish or Christian.  For more on these Haggadot, see <aht page="Despoiling Egypt in Art">Despoiling Egypt in Art</aht>.</fn></p>
 
</div>
 
  
 
<category>Contrasting Images
 
<category>Contrasting Images
<subcategory name="">The Golden Haggadah
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<subcategory>The Golden Haggadah
<p>In this rendering in the top right pane, the artist decided not to depict Aharon or the Egyptian magicians, but rather to highlight just the two rival leaders, Paroh and Moshe.<fn>Although the Biblical text has Aharon bringing this plague, the caption identifies the figure as Moshe.  See discussion below.</fn>  Surprisingly, Moshe raises his staff to hit not the Nile, but a large frog, from which the other frogs materialize.  These creatures head to the palace, filling bowls and pans.  One onlooker peeps out the window to be greeted by a frog looking out the adjacent opening.</p>
+
<p>In this rendering in the top right pane, the artist decided not to depict Aharon or the Egyptian magicians, but rather to highlight just the two rival leaders, Paroh and Moshe.<fn>Although the Biblical text has Aharon bringing this plague, the caption identifies the figure as Moshe.  See discussion below.</fn>  Surprisingly, Moshe raises his staff to hit not the Nile, but a large frog, from which the other frogs materialize.  These creatures head to the palace, filling bowls and pans.  One onlooker peeps out the window to be greeted by a frog looking out the adjacent opening.</p>
 
</subcategory>
 
</subcategory>
 
+
<subcategory>The Rylands Haggadah
<subcategory name="">The Rylands Haggadah
+
<p>The upper image is divided into two halves, with the palace, Paroh, and his magicians on the right side, and the Nile, Moshe, and Aharon to the left.  The palace pillar serves to divide these figures into two distinct camps. As Moshe holds his staff over the water, large frogs emerge to jump on the Egyptians, while Moshe and his brother remain unscathed.  Aharon stands in the middle pointing in two directions, at both the Egyptians and Moshe, perhaps to emphasize to the Egyptians that the plague is not a natural phenomenon but the direct result of Moshe's actions.</p>
<p>The upper image is divided into two halves, with the palace, Paroh, and his magicians on the right side, and the Nile, Moshe, and Aharon to the left.  The palace pillar serves to divide these figures into two distinct camps. As Moshe holds his staff over the water, large frogs emerge to jump on the Egyptians, while Moshe and his brother remain unscathed.  Aharon stands in the middle pointing in two directions, at both the Egyptians and Moshe, perhaps to emphasize to the Egyptians that the plague is not a natural phenomenon but the direct result of Moshe's actions.</p>
 
 
</subcategory>
 
</subcategory>
 
</category>
 
</category>
 
+
<category>Relationship to the Biblical Text
<category>Relationship to the Biblical Text  
 
 
<p>The artists' choices reflect certain ambiguities in the Biblical text and different possible interpretive stances:</p>
 
<p>The artists' choices reflect certain ambiguities in the Biblical text and different possible interpretive stances:</p>
<subcategory name="">Aharon or Moshe?
+
<subcategory>Aharon or Moshe?
<p>Interestingly, in contrast to the Biblical text, both Haggadot have Moshe rather than Aharon bringing on the Plague.<fn>In both Haggadot, the artists consistently differentiate between the clothing (or appearance) of the two brothers, allowing for the identification of the figure in our illustration as Moshe.  [The same is true for the Brother Haggadah.  In addition, the scribe's captions in the Golden Haggadah and the Sister Haggadah as well as the artist's caption (but not the scribe's) in the Brother Haggadah all attribute the bringing of the Plague to Moshe.]</fn>  While this designation is simply a mistake, it nonetheless highlights the question of why some plagues were initiated by Aharon and others by Moshe.<fn>By the Plague of Blood, a simple reading of Shemot 7:19 suggests that there, too, Aharon activated the plague.  However, <multilink><aht source="SeikhelTovShemot7-19">Midrash Seikhel Tov</aht><aht source="SeikhelTovShemot7-15">Shemot 7:15</aht><aht source="SeikhelTovShemot7-19">Shemot 7:19</aht><aht parshan="R. Menachem b. Shelomo" /></multilink> suggests that Moshe was also involved.  The motivation for this interpretation is the verse in Shemot 17:5 where Moshe is told to take his staff "with which he hit the Yeor."</fn></p>
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<p>Interestingly, in contrast to the Biblical text, both Haggadot have Moshe rather than Aharon bringing on the Plague.<fn>In both Haggadot, the artists consistently differentiate between the clothing (or appearance) of the two brothers, allowing for the identification of the figure in our illustration as Moshe.  [The same is true for the Brother Haggadah.  In addition, the scribe's captions in the Golden Haggadah and the Sister Haggadah as well as the artist's caption (but not the scribe's) in the Brother Haggadah all attribute the bringing of the Plague to Moshe.]</fn>  While this designation is simply a mistake, it nonetheless highlights the question of why some plagues were initiated by Aharon and others by Moshe.<fn>By the Plague of Blood, a simple reading of Shemot 7:19 suggests that there, too, Aharon activated the plague.  However, <multilink><a href="SeikhelTovShemot7-19" data-aht="source">Midrash Seikhel Tov</a><a href="SeikhelTovShemot7-15" data-aht="source">Shemot 7:15</a><a href="SeikhelTovShemot7-19" data-aht="source">Shemot 7:19</a><a href="R. Menachem b. Shelomo (Seikhel Tov)" data-aht="parshan">About R. Menachem b. Shelomo</a></multilink> suggests that Moshe was also involved.  The motivation for this interpretation is the verse in Shemot 17:5 where Moshe is told to take his staff "with which he hit the Yeor."</fn></p>
 
</subcategory>
 
</subcategory>
 
+
<subcategory>Magicians
<subcategory name="">Magicians
+
<p>While just Moshe and Paroh appear in the Golden Haggadah, the Rylands Haggadah portrays also Aharon and the magicians.  It is unclear from the Biblical text who was actually present during the bringing of the Plague itself; we know only that afterwards the magicians were able to replicate the feat.  The differing portrayals raise the issue of the role of both Aharon and the magicians and how this relates to the purpose of the Plagues.  Were the initial plagues set up, in part, as a contest between the "messengers of God" and the "magicians of Paroh" to teach that Hashem's agents had behind them a power much stronger than magic?<fn>See N. Sarna, Exploring Exodus (New York,1996): 67 who points out that Aharon played a role in specifically those plagues where the magicians are mentioned, thus leveling the playing field.</fn></p>
<p>While just Moshe and Paroh appear in the Golden Haggadah, the Rylands Haggadah portrays also Aharon and the magicians.  It is unclear from the Biblical text who was actually present during the bringing of the Plague itself; we know only that afterwards the magicians were able to replicate the feat.  The differing portrayals raise the issue of the role of both Aharon and the magicians and how this relates to the purpose of the Plagues.  Were the initial plagues set up, in part, as a contest between the "messengers of God" and the "magicians of Paroh" to teach that Hashem's agents had behind them a power much stronger than magic?<fn>See N. Sarna, Exploring Exodus (New York,1996): 67 who points out that Aharon played a role in specifically those plagues where the magicians are mentioned, thus leveling the playing field.</fn></p>
 
 
</subcategory>
 
</subcategory>
 
+
<subcategory>"וַתַּעַל הַצְּפַרְדֵּעַ"
<subcategory name="">"וַתַּעַל הַצְּפַרְדֵּעַ"
+
<p>While the Rylands Haggadah has Moshe hitting or stretching his staff over the water, in the Golden Haggadah Moshe appears to be hitting the frog itself.  This rendering is probably influenced by the Midrashic interpretation of the phrase "וַתַּעַל הַצְּפַרְדֵּעַ" in <a href="Shemot7-26" data-aht="source">Shemot 8:2</a>.  The singular form of the word "צְפַרְדֵּעַ" led to the explanation that originally just one big frog emerged from the water; only after it was hit, did many more came forth.<fn>See <multilink><a href="TanchumaVaera14" data-aht="source">Tanchuma</a><a href="TanchumaVaera14" data-aht="source">Vaera 14</a><a href="Tanchuma" data-aht="parshan">About the Tanchuma</a></multilink> and similarly <multilink><a href="ShemotRabbah10-4" data-aht="source">Shemot Rabbah</a><a href="ShemotRabbah10-4" data-aht="source">10:4</a><a href="Shemot Rabbah" data-aht="parshan">About Shemot Rabbah</a></multilink>.  According to the Midrash, though, it is the Egyptians rather than Moshe who hit the frog causing more frogs to come.</fn></p>
<p>While the Rylands Haggadah has Moshe hitting or stretching his staff over the water, in the Golden Haggadah Moshe appears to be hitting the frog itself.  This rendering is probably influenced by the Midrashic interpretation of the phrase "וַתַּעַל הַצְּפַרְדֵּעַ" in <aht source="Shemot7-26">Shemot 8:2</aht>.  The singular form of the word "צְפַרְדֵּעַ" led to the explanation that originally just one big frog emerged from the water; only after it was hit, did many more came forth.<fn>See <multilink><aht source="TanchumaVaera14">Tanchuma</aht><aht source="TanchumaVaera14">Vaera 14</aht><aht parshan="Tanchuma">About the Tanchuma</aht></multilink> and similarly <multilink><aht source="ShemotRabbah10-4">Shemot Rabbah</aht><aht source="ShemotRabbah10-4">10:4</aht><aht parshan="Shemot Rabbah" /></multilink>.  According to the Midrash, though, it is the Egyptians rather than Moshe who hit the frog causing more frogs to come.</fn></p>
 
 
</subcategory>
 
</subcategory>
 
+
<subcategory>Who is Affected?
<subcategory name="">Who is Affected?
+
<p>By dividing his image between the Egyptians and Israelites, the artist of the Rylands Haggadah emphasizes that only the Egyptians were afflicted by the Plague, as the frogs are depicted only on their side.  This is actually not at all clear from Sefer Shemot, as only with regard to some of the plagues does the text state explicitly that there was a distinction made between the two nations.  How to understand the Torah's silence on this matter by the other plagues (such as frogs), is debated by the commentators.<fn>See the positions of <multilink><a href="RashbamShemot8-18" data-aht="source">Rashbam</a><a href="RashbamShemot8-18" data-aht="source">Shemot 8:18</a><a href="R. Shemuel b. Meir (Rashbam)" data-aht="parshan">About R. Shemuel b. Meir</a></multilink>, <multilink><a href="IbnEzraShemotLong7-24" data-aht="source">Ibn Ezra</a><a href="IbnEzraShemotLong7-24" data-aht="source">Long Commentary Shemot 7:24</a><a href="R. Avraham ibn Ezra" data-aht="parshan">About R. Avraham ibn Ezra</a></multilink>, <multilink><a href="RambanShemot8-18" data-aht="source">Ramban</a><a href="RambanShemot8-18" data-aht="source">Shemot 8:18</a><a href="R. Moshe b. Nachman (Ramban, Nachmanides)" data-aht="parshan">About R. Moshe Nachmanides</a></multilink>, and <multilink><a href="ShadalShemot7-25" data-aht="source">Shadal</a><a href="ShadalShemot7-25" data-aht="source">Shemot 7:25</a><a href="R. Shemuel David Luzzatto (Shadal)" data-aht="parshan">About R. S.D. Luzzatto</a></multilink>.</fn>  For elaboration, see <a href="Whom and Where Did the Plagues Strike" data-aht="page">Whom and Where Did the Plagues Strike</a>.</p>
<p>By dividing his image between the Egyptians and Israelites, the artist of the Rylands Haggadah emphasizes that only the Egyptians were afflicted by the Plague, as the frogs are depicted only on their side.  This is actually not at all clear from Sefer Shemot, as only with regard to some of the plagues does the text state explicitly that there was a distinction made between the two nations.  How to understand the Torah's silence on this matter by the other plagues (such as frogs), is debated by the commentators.<fn>See the positions of <multilink><aht source="RashbamShemot8-18">Rashbam</aht><aht source="RashbamShemot8-18">Shemot 8:18</aht><aht parshan="Rashbam">About R. Shemuel b. Meir</aht></multilink>, <multilink><aht source="IbnEzraShemotLong7-24">Ibn Ezra</aht><aht source="IbnEzraShemotLong7-24">Long Commentary Shemot 7:24</aht><aht parshan="R. Avraham ibn Ezra" /></multilink>, <multilink><aht source="RambanShemot8-18">Ramban</aht><aht source="RambanShemot8-18">Shemot 8:18</aht><aht parshan="Ramban">About R. Moshe Nachmanides</aht></multilink>, and <multilink><aht source="ShadalShemot7-25">Shadal</aht><aht source="ShadalShemot7-25">Shemot 7:25</aht><aht parshan="Shadal">About R. S.D. Luzzatto</aht></multilink>.</fn>  For elaboration, see <aht page="Whom and Where Did the Plagues Strike">Whom and Where Did the Plagues Strike</aht>.</p>
 
 
</subcategory>
 
</subcategory>
 
+
<subcategory>Frogs or Crocodiles?
<subcategory name="">Frogs or Crocodiles?
+
<p>Both Haggadot depict the second plague as a plague of frogs, like the standard rendering of the word "צְפַרְדְּעִים".  Perhaps surprisingly, though, there is some uncertainty as to what a <a href="Dictionary:צְפַרְדֵּעַ" data-aht="page">"צְפַרְדֵּעַ"</a> really is, as the word is a virtual hapax legomenon, appearing only in the context of this plague.  See <multilink><a href="IbnEzraShemotLong7-27" data-aht="source">Ibn Ezra</a><a href="IbnEzraShemotLong7-27" data-aht="source">Long Commentary Shemot 7:27</a><a href="R. Avraham ibn Ezra" data-aht="parshan">About R. Avraham ibn Ezra</a></multilink> who cites an opinion that "צְפַרְדְּעִים" are not frogs, but much more deadly crocodiles.<fn>This is the position of <multilink><a href="RasagTehillim78-45" data-aht="source">R. Saadia</a><a href="RasagTehillim78-45" data-aht="source">Commentary Tehillim 78:45</a><a href="R. Saadia Gaon" data-aht="parshan">About R. Saadia Gaon</a></multilink> and <multilink><a href="RambanShemot10-14" data-aht="source">R. Chananel</a><a href="RambanShemot10-14" data-aht="source">Cited by Ramban Shemot 10:14</a><a href="RBachyaShemot10-19" data-aht="source">Cited by R. Bachya Shemot 10:19</a><a href="R. Chananel b. Chushiel" data-aht="parshan">About R. Chananel b. Chushiel</a></multilink>.</fn></p>
<p>Both Haggadot depict the second plague as a plague of frogs, like the standard rendering of the word "צְפַרְדְּעִים".  Perhaps surprisingly, though, there is some uncertainty as to what a <aht page="Dictionary:צְפַרְדֵּעַ">"צְפַרְדֵּעַ"</aht> really is, as the word is a virtual hapax legomenon, appearing only in the context of this plague.  See <multilink><aht source="IbnEzraShemotLong7-27">Ibn Ezra</aht><aht source="IbnEzraShemotLong7-27">Long Commentary Shemot 7:27</aht><aht parshan="R. Avraham ibn Ezra" /></multilink> who cites an opinion that "צְפַרְדְּעִים" are not frogs, but much more deadly crocodiles.<fn>This is the position of <multilink><aht source="RasagTehillim78-45">R. Saadia</aht><aht source="RasagTehillim78-45">Commentary Tehillim 78:45</aht><aht parshan="R. Saadia Gaon" /></multilink> and <multilink><aht source="RambanShemot10-14">R. Chananel</aht><aht source="RambanShemot10-14">Cited by Ramban Shemot 10:14</aht><aht source="RBachyaShemot10-19">Cited by R. Bachya Shemot 10:19</aht><aht parshan="R. Chananel" /></multilink>.</fn></p>
 
 
</subcategory>
 
</subcategory>
 
</category>
 
</category>
  
 
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Latest revision as of 01:55, 27 November 2016

Plague of צפרדע in Art

Introduction

The two images shown here, from two 14th century Catalonian Haggadot, the Golden Haggadah 1 and the Rylands Haggadah2, both depict the plague of frogs (Shemot 7:26-8:11). Though at first glance the images are somewhat straightforward and simple, the artists' differing portrayals raise questions about the nature of the plague, how and by whom it was brought, and for what purpose.3

Contrasting Images

The Golden Haggadah

In this rendering in the top right pane, the artist decided not to depict Aharon or the Egyptian magicians, but rather to highlight just the two rival leaders, Paroh and Moshe.4 Surprisingly, Moshe raises his staff to hit not the Nile, but a large frog, from which the other frogs materialize. These creatures head to the palace, filling bowls and pans. One onlooker peeps out the window to be greeted by a frog looking out the adjacent opening.

The Rylands Haggadah

The upper image is divided into two halves, with the palace, Paroh, and his magicians on the right side, and the Nile, Moshe, and Aharon to the left. The palace pillar serves to divide these figures into two distinct camps. As Moshe holds his staff over the water, large frogs emerge to jump on the Egyptians, while Moshe and his brother remain unscathed. Aharon stands in the middle pointing in two directions, at both the Egyptians and Moshe, perhaps to emphasize to the Egyptians that the plague is not a natural phenomenon but the direct result of Moshe's actions.

Relationship to the Biblical Text

The artists' choices reflect certain ambiguities in the Biblical text and different possible interpretive stances:

Aharon or Moshe?

Interestingly, in contrast to the Biblical text, both Haggadot have Moshe rather than Aharon bringing on the Plague.5 While this designation is simply a mistake, it nonetheless highlights the question of why some plagues were initiated by Aharon and others by Moshe.6

Magicians

While just Moshe and Paroh appear in the Golden Haggadah, the Rylands Haggadah portrays also Aharon and the magicians. It is unclear from the Biblical text who was actually present during the bringing of the Plague itself; we know only that afterwards the magicians were able to replicate the feat. The differing portrayals raise the issue of the role of both Aharon and the magicians and how this relates to the purpose of the Plagues. Were the initial plagues set up, in part, as a contest between the "messengers of God" and the "magicians of Paroh" to teach that Hashem's agents had behind them a power much stronger than magic?7

"וַתַּעַל הַצְּפַרְדֵּעַ"

While the Rylands Haggadah has Moshe hitting or stretching his staff over the water, in the Golden Haggadah Moshe appears to be hitting the frog itself. This rendering is probably influenced by the Midrashic interpretation of the phrase "וַתַּעַל הַצְּפַרְדֵּעַ" in Shemot 8:2. The singular form of the word "צְפַרְדֵּעַ" led to the explanation that originally just one big frog emerged from the water; only after it was hit, did many more came forth.8

Who is Affected?

By dividing his image between the Egyptians and Israelites, the artist of the Rylands Haggadah emphasizes that only the Egyptians were afflicted by the Plague, as the frogs are depicted only on their side. This is actually not at all clear from Sefer Shemot, as only with regard to some of the plagues does the text state explicitly that there was a distinction made between the two nations. How to understand the Torah's silence on this matter by the other plagues (such as frogs), is debated by the commentators.9 For elaboration, see Whom and Where Did the Plagues Strike.

Frogs or Crocodiles?

Both Haggadot depict the second plague as a plague of frogs, like the standard rendering of the word "צְפַרְדְּעִים". Perhaps surprisingly, though, there is some uncertainty as to what a "צְפַרְדֵּעַ" really is, as the word is a virtual hapax legomenon, appearing only in the context of this plague. See Ibn EzraLong Commentary Shemot 7:27About R. Avraham ibn Ezra who cites an opinion that "צְפַרְדְּעִים" are not frogs, but much more deadly crocodiles.10